Thursday, 3 February 2022

WJ-Mop Up

Avenues
Love's Made A Fool Out Of You
Dark End Of The Street
What's So Funny About Peace Love And Understanding

Patrick Ticklenburg-backing vocal on last song

Support:

Bill Schlettler
Pat Ticklenburg
Brett Johnson
Rick Wengle
Dave Bonham
Julie Gordon




Another successful event with the Acoustic open mic at Whisky Jo's, to which I finished the whole thing in front of these six people who stayed around and the Whisky Jo's waitress.  It used to be that I enjoyed being the last act but nowadays it seems to be a mop up role and most leave except the host and the couple of faithful musicians who hang around.  Stu Pershing had to wake up at 3 just to get to work at 4 so he had to leave.  Getting the word out meant that the Kirkwood students have been able to play this.

For myself, with hardly anybody around, I pulled out some songs I haven't done recently and worked on them.  Peace Love and Understand got extended a bit since Patrick joined up on stage.  I did a Buddy Holly tribute song as well.  

Like last week, I didn't start playing till after 10.  It was a short batch of songs but I pulled the plug after Peace Love Etc.   By then everybody wanted to go home.

Since Kimberley sang on Wednesday, she took the night off. 

Wednesday, 2 February 2022

WJ-With Kat Blue And The Mandelas

Songs played 

Give Me One Good Reason
Further Up The Road
I Got My Mojo Workin
Gold Dust Woman
Call Me The Breeze
Stop Draggin My Heart Around
Tennessee Whiskey/
I'd Rather Go Blind 
Love Me Like A Man
Fever
Angel From Montgomery
Kansas City

Kat Blue-Vocals on all songs except Kansas City
R. Smith-Drums on all songs
Terry McDowell-Host
Tommy Bruner-Guitar and vocals
Billy Bourbon-Bass, guitar and lead vocal on Kansas City
Matt Panek-Guitar
Stacia Roccio-Guitar on Draggin, TN Whiskey/Blind
Dave Bonham-Bass
Brett Johnson-Harmonica on Kansas City.
John Shaw-Air guitar 





Despite the presence of two other drummers (Mike from Notes From The Underground, Dustin Duwa), I managed to play a good hour and a half, with Kimberly who seems to have been to the majority of the year's jams that I have been part of.  Matt Panek took part in the first six songs.   Most of the jammers that started did come back up to play, Dave played bass on the final four songs.  Even Brett Johnson came up to play harmonica on the closer Kansas City.  We did a very interesting take on Fever on a version that I wasn't familiar with, but managed to put it together.  Kimberly nailed Gold Dust Woman to which she got a standing ovation.



Sunday, 30 January 2022

Stone City-Avenues

Songs:

My Baby Loves Me
Gold Dust Woman
Tennessee Whiskey/
I'd Rather Go Blind
Avenues
Dark End Of The Street
Good Time Charlie
Logic And Lies
Behind Blue Eyes
Cinnamon Girl

Kat Blue-Vocal 1-4 



(Sunday Funday Band: Nick Lnenicka, Stacia Roccio, Timothy Canfield, Terry McDowell, Kat Blue, Jeff Taylor and Tommy Bruner)

Kimberly was quite busy Sunday.  Playing a few songs with Lane Gaffney, then I borrowed her for a few songs before she moved on to Rumors to do the Sunday Funday Jam.  I think we did a better version of My Baby Loves Me and Gold Dust Woman brought the house down. 

Avenues and Dark End Of The Street made their debut, and Dark End was well received.  I did that song better on the first go around than Behind Blue Eyes.  Still despite the mess ups and mistakes, the audience enjoyed my set.  Apologies to the guy behind me that was taking videos of the next singer playing guitar and I had to get back into town to visit mom.  

Saturday, 29 January 2022

Avenues Lyrics

Avenues


Another song to sing
Another chapter to write
Hoping to keep my balance
Somewhere between wrong and right
I've been gone for awhile
Didn't think I'd come back again
Although I feel like I'm losing the fight
Should have quit while I was behind

Where does this road lead
I've been down this before
It lead me down the guided path
Destination unknown
Maybe deciding
It's time to go it alone
So I'm hitting the highway
But I'm running out of avenues

Too old to change my ways
But I'm too young to call it a day
Some days I feel like I'm getting somewhere
Other times it's the opposite
I wish I could start again
Find some  way to think that I can win
Sometimes I wish I could find a freight train
And ride it somewhere down the line

Where does this road lead
I've been down this before
It lead me down the guided path
Destination Unknown
Maybe deciding
It's time to go it alone
So I'm hitting the highway
But I'm running out of avenues.

R.Smith
C1999 Townedgers' Music Emporium

Album: Land Of Abandonment 1999

Chords: F E D (3)  A

Chorus: G,D 7
last line: A, G D

A song about being a loner and the choice of being one. the F,E,D riff is unique in the way that the chords repeat through the verses.  It seems that D is the main choice of chord for the majority of the songs played. Originally the 151 Song was slated to lead off Land Of Abandonment but Avenues sounded better as opener.  










Friday, 28 January 2022

Whisky Jo's-Kat Sings The Blues

Songs:

Cinnamon Girl
Stop Dragging My Heart Around
Tennessee Whiskey/
I'd Rather Go Blind
My Baby Loves Me

Kat Blue-Vocals on 2 to 5




I suppose this is promising, but two weeks into the Acoustic Open Mic with Julie and Guitar Dave, a full slate of people came out to play.  Stuart Pershing played, it was the first time I have seen him play anywhere in over two years.   

I'm not sure how many showed up but I did count about 8 other musicians playing guitar and singing. I did make up a list of about 10 songs to play but by the time I got to play it was after 10 PM.  I never did any of the songs worked on earlier in the day.  Julie was taking videos so I ended up using Kimberly (Kat Blue) on the final numbers, including the medley of Whiskey/Blind numbers.    Cinnamon Girl, usually done at the end of show, was played first in the drop D tuning, which made it sound much better than usual. 

As we come to end of the month, this will be the first time that I didn't play the Sunday Funday Rumors jam, and only played drums at Whisky Jo's once.   I really don't see a need to do a end of month review since I've been catering to the needs of my folks through their health issues.   I do keep up on the updates of who played where at Rumors/Whisky Jo's.  

I do admire Kimberly for coming to Whisky Jo's to support the acoustic cause, even if Julie and Dave are wary of her.  Kimberly and I do have a nice working business relationship  when we play together. Certainly, I'd love to help Julie and Dave as much as I can, but Kimberly has been more receiving and receptive of my musical tastes.  Would it be good to have a project with Kimberly?  If I could find the time.  With family issues, I cannot commit on anything other than a open mic get together.  


Wednesday, 26 January 2022

Remembrance Wind Lyrics

Sometimes late at night I sit back and wonder about things
About people and the places I used to go to
It's hard to believe that they're all gone

It's still the same ole town but with different faces
While the present's here, the past keeps coming back
In the way that it's hard to show

Well when the wind blows it takes me back into time
I get the sensation that you are still mine
From another directions it gives a different sign
You can feel it if only for a while 

Can you feel it?  Remembrance Wind

Well if you truly believe  there's something  here for you
Then you truly believe that nothing will stop you
Go anywhere that God intended you to 
Just be yourself, you'll make it through

Well when the wind blows it takes me back into time
I get the sensation that you are still mine
From another direction it gives a different sign
You can feel it if only for a while
Can you feel it?
Remembrance Wind

R.Smith
C 2002  Townedger Music Emporium

From The Road Less Traveled. 

Hard to believe this came out 20 years ago, the album that is.  The last album that Brian Mullahan co produced with me,  I tend to look at this album to be one of the best that I put out.  We were on a roll, after 2001's There' Nothing Left, I wanted to have a more power pop sound than the experiments that were used on the 1999 Land Of Abandonment and There's Nothing Left.  It was quickly recorded, with Jack Orbit helping with the arrangements and Geoff n  Mark McClelland adding their two cents worth.  

Remembrance Wind was about time and memories slipping away and nostalgic feelings for a town no longer around.   John Maier got credited for the term Remembrance Wind.  One of those rare songs that didn't need drums.  

Chords:  for starters, it's D but the forth string is open for accents
Verse D G D
forth line G,E,D

Chorus: A,G,D
Can you feel it line: G strum 7 times back into D

To lively things up. between the repeated chorus
G,C,D (3) 
A,G,D

It's better suited for a bluegrass type of number, but on this song there are no drums.

(Photo by Saul)





Tuesday, 25 January 2022

Everlasting Thoughts Lyrics

Exceptions to the rule
We're not typical
What we're looking for
We usually don't get
Our moment in the sun
Before the clouds set in
Then we're swept out to sea
By a hurricane wind

And all we get out of this
Is everlasting thoughts
Everlasting thoughts 
Of everything as it ever was

Why are we so elusive?
We got things in common
Is this another illusion
Or a new day coming?
Are we made for each other?
Or just another excuse
Of  winning this race
Only just to lose

Chose the lesser of the evils
Find the least of the sins
Somehow the answer lies within
In the shelter of the wind.

C 1995 Townedger Music Emporium
R.Smith: Lyrics

Album: These Things Must Pass (1995)




Notes:

This song is written in a different style, a mutated 3/4 waltz.

I don't believe this was written for the person that I was seeing.  We had a very good year and half of being together before a big falling out and drifting apart but back in 95 we had lot of fun.  But as I found out that relationships with the other half having kids and dealing with petty ex boyfriends that the  longer you hang with somebody, the longer you'll going to have fights and insecurity issues.

The main chords are  A, E, D
to which the final line of the verse leading to the chorus would be  A,E,A

Chorus is G,D,A  First line 
Everlasting thoughts line G,D (Three times)
G,D,A

Redding got credit for the arrangement of the waltz riff.  I think this is the only song that I do that has that oddball 3/4 time.   In the history of the Townedgers, Everlasting Thoughts never got played much. The guest drummers couldn't figure out how to play the riff.  For the influence of this song, it might have been Uncle Tupelo or even Whiskeytown.  Even after 27 years, the mind gets clouded of the actual influence, but it may have come from jamming out notes and seeing if anything sticks.  Brian Mullahan said that it's a unique song and it should be recorded.  In our trademark learning as we go, we might have done 7 takes before getting a decent version.  For my Acoustic Adventures, this song seems to fit in well and has been dusted off to play to the masses again. 




Sunday, 23 January 2022

Stone City-Rock N Roll

Songs

I Rather Not Cry
Good Time Charlie
Sundown
Slippin Away
What Goes On
I Fought The Law
Never Trust A Sleeping Train
Cinnamon Girl
It Hurts Me Too 

With
Danny Trumm, William Schlettler, Rick Wingle and Dave Bonham.




I took the songbook with me and drove  a bit more deeper into the songs that I don't usually do.  It was another cold January afternoon, and hardly anybody came to play.  I had to leave after my songs to go see my mom.    It is kinda tough not to hang to do more songs, but till my mom gets better, she is my own priority.

We're supposed to get hit once again by yet another polar express, another five below day awaits us on Tuesday.  For a birthday present, this is not needed.  Old Man Winter can shove it up his ass sideways.

A year into being 60 and I find that this year was the hardest to get through and turning 61, it doesn't look any much better either.  I've been known to be a person who is set in his ways but awfully clueless when life throws its worst on me.  I've had COVID for a couple weeks and got over it, watching my mom fall deeper in the Demetria and hating every moment of it and seeing my dad having breathing problems as he tries to get over that too.  My brother is the glue holding the family together. I'm there to watch the house at night, washing the old man's duds, whereas my brother chaffers Dad to the doctor's and to work.  I hope it doesn't get to the point that things deteriorate.  Picking and choosing my jams while working around visits to Sliver Oak Assisted Living and trying to appease the old man bas been a very depressing sort of state.    Shoulder pain and now kidney issues have not helped along with the depression and self doubt.  The music is fun but anything else in life has not.  Hell I cannot enjoy a dinner with Dad without spilling a fucking drink  all over him.  

Nothing is helping. Cold weather, snow, dealing with idiots on the road, red lights, dumbasses going the wrong way down the highway.  It's frustrating.  I can only try my best.  Some folks have it worse.  In this life, being clueless and indecisive does not help.  

Not at all.   



Saturday, 22 January 2022

Archives-Paraphernalia Live In The Studio 1982

When Russ and I started our little band in 1980, we couldn't play worth shit.  I just got my first real drum set.  an Zickos five piece clear drum set and spent most of that time collecting cheap cymbals in order to look like a real drumset.  There were two Zym Cymbals, an English made that had a nice ride sound to it but the other if you hit it too hard, it would bend.  It turned out to be a china like cymbal.  

The first session, Darren Johnson played guitar.  But it was mostly me and Russ trying to add our spin to Same Ole Song And Dance and Godzilla.

One year later, after learning on my own without lessons I managed to get better.  Doug Spinler and I jammed with his dad.  And when when Russ came back from leave we got together with Doug Bonesteel and Mike Swearingen.  Mike being the de facto leader and one we leaned heavily on for musical guidance.   A 1981 recording session we recorded Come Together and Rock Me Baby.

In late 1981.  The band was me, Russ, Mike, Doug B and Dewayne Schminkey and I managed to convince my dad to record our little EP making album on Jan 28, 1982.

The songs at hand.

Rock Me Baby
Take It On The Run
Lovin Touchin Squeezin
Heavy Medication (D. Schminkey solo song) 
Highway To Hell
Rocky Mountain Way (2 versions)








Personnel:

Mike Swearingen-vocals
Doug Bonesteel-Electric guitar
DeWayne Schminkey-Acoustic 12 String
Russ Swearingen-Bass
R. Smith-Drums 




The sessions were quite exciting,  I think I played more cymbals than drums.  I don't think it was actual drum playing but rather bashing the hell out of them due to being frustrated.  The second version of Rocky Mountain Way was used.

With this new and exciting sound, Paraphernalia became part of the Iowa music scene, tho we only did one gig, opening up for one of Mike's regular bands.   But it was our music and our way of doing things that makes this session somewhat special.  Due to time restrictions and Russ needed to get back to the Marine Corp two days later, there would be no more recordings.  Of course that didn't stop me from putting all the music that we did before in other sessions and solo stuff called Turn Off The Picture You're Disturbing The Sound.   These songs were known as the Live at 9 EP.    Rock Me Baby would be issued as a second single later on.

Eventually, we got better.  In 1982 without Russ, we became the Open Highway Band, with Dennis Lancaster drafted as harmonica and guitar player.  We did play the Pink Elephant in 1983 with Russ playing bass.  I remembered we tried out a bass player but he was looking for a band that was playing regularly.  We never did find that replacement.

A year later, Russ returned and Paraphernalia struggled to hang together.  By then, Doug Bonesteel and Dewayne Schminkey were no longer part of the band and Dennis Lancaster was full time guitar player. Will Sigsbee and Shawn Ster became guest guitar players at various gigs.  The December 7, 1984 OK Lounge gig would be our last.

In theory, the 1982 Live In The Studio session is really, our starting point. 

Technical stuff:

Cymbals: Zildjian A's

13 inch Quick Beat hi hats
16 inch Rock Crash
16 inch Thin Crash
16 inch Medium Thin Crash
18 inch Crash Ride
20 inch Rock Ride
20 inch Pang Sizzle

I'm surprised that these cymbals didn't crack under the constant bashing, especially the 16 inch crashes. The rock crash was rarely used outside of this recording and later on 4 of these cymbals were sold to a devious chump who only paid half of the 300 dollars  that was sold to him.  Even while winning a small claims court victory, the devious chump never paid for them.  I never quite forgave Mike on losing my cymbals on the honor system.

I think that these cymbals that I did buy gave me the ultimate sound and probably best cymbal lineup, up till I got the K's later in life.  They did sound great on the recording, they must have since I have played them more than the actual drums themselves.  For some reason I had the rock ride leveled with the bass tom, and the pang cymbal about 8 feet high (don't ask why).  It seemed like a good idea at the time to have the cymbals about five feet up, nowadays, my cymbals are about an inch or two higher than the 1982 set up.  At that time Ludwig's Hercules cymbal stands were the best, but the plastic that adjusted the cymbals would break off and if not tighten, the cymbal would fall to the side (as shown on Ratt's Round n Round video).  I later got a Yamaha stand to put the pang cymbal upside down but for a china, it was more of a washy and not a total china crash.  The sizzle sustain was the longest sizzler sound cymbal that I ever had.  Oh, I loved that cymbal but Russ absolutely hated it.   That cymbal remained a part of my lineup till 1987 when I foolishly traded it in along with the Quik Beats and Rock Crash to get a 20 inch Impulse Ride.  To which the folk at Phoenix Drums took great delight in ripping off an out of towner who was trying to update his sound.  And never realizing, he had the right sound of cymbals in the first place.  



Thursday, 20 January 2022

Whisky Jo's-Four Below And Falling

Songs played

Everybody's Talking
Behind Blue Eyes
Fox On The Run
All Along The Watchtower
Light My Fire
Never Trust A Sleeping Train
Cinnamon Girl

Julie Gordon-Percussion on the last three songs

With
Dee Vieman
Rick Wengle
Dave Bonham




In the dead of winter, nobody likes to venture out in below zero temps.  I have had other gigs that the temp was so damn cold nobody showed up.  Three years ago, Dreams Of Arcadia opened for Four Day Creep and nobody showed up for that either.  Buddy Holly had his life ended during a clipper and blizzard.  

I figured Julie and Dave would need some sort of support, so I borrowed Dave's guitar and slugged through seven songs of note.  Julie played the cajole on the last three songs.    Dee was surprised that I did play guitar since she's known me strictly as a drummer. 

It was cold, another artic front gone through another day of below zero temps.  It sucks.  But what sucks even more was driving home and having to deal with the more than usual red lights, semis, stupid drivers and another wrong way driver going down on highway 30 and almost going head on into a semi.  The mentality of some of these idiot drivers are a joke.

The Artisan had Patrick Ticklenburg, John Weldon and Eric Paul playing for a benefit.  Not sure of who showed up but I think they had least 10 people in attendance.   These are tough times for the performer and bars and places to play at.  I do think the Artisan is hurting for donations now.  And another place we played at, the check bounced.   With my situation with Mom and Dad I haven't really been that inspired to play all that much.   Whatever the case may be, week after next, I need to get back to work on a regular basis.  A elderly care helper is very hard work.

Wednesday, 12 January 2022

Whisky Jo-With Mr Shaw

Songs Include

I Love You Too Much
Can't Get Enough
Peaceful Easy Feeling
Long Train Running
Proud Mary
Folsom Prison Blues
Dreams
Pancho And Lefty
Comfortably Numb

Terry McDowell-Host
John Shaw-Guitar and Vocal, 1-6
Dee Vieman-Lead Vocals 5-8
Tommy Bruner-Lead Guitar
Billy Bourbon-Bass
Nick Lnenicka-Harmonica
R.Smith-Drums
Ian Jacoby-Guest vocalist on Comfortably Numb


(Tommy and John)

It has been noted that John Shaw has been coming to the Whisky Jo's jam of the past couple weeks.  Although our relationship is pretentious due to his right wing views, I wouldn't never say no to him.
I really could do without another Can't Get Enough version but at least he's plays it okay. 

It was Dee Vieman's birthday so she got to sing a few songs of note.  Most curious is playing Pancho And Lefty for the second straight night and in a different arrangement.   Ian Jacoby from Four Day Creep came up to help sing Comfortably Numb with Dee.  Tommy did a wonderful lead out at the end and and gave me a wink and a smile after that one.  

A decent crowd was there,  Kimberly sang before I got there and there were two new drummers that played before me, one of them gave me a headache.  

John may have sang one more song before Dee joined up.  Bad Company was attempted but never got off the ground, so we went with the Tina Turner version of Proud Mary.   I'm still dealing with the family health issues of my parents but music can be a healer.  

That's what its supposed to be. 

Tuesday, 11 January 2022

Artisan-1/11/22

Fire And Rain
Cash On The Barrelhead 
Fire On The Mountain
Love Potion Number 9
Poncho And Lefty

Bill Schettler-Lead vocal and guitar
Dave  Bonham-Lead Guitar
Freddy Jones-Harmonica
R.Smith-Percussion
Brett Johnson-Played harmonica on one song




For the past two weeks, family health issues have come into play.  With my mom suffering from Demetria and Dad having breathing problems I haven't been able to focus on the music.  After visiting both of them I had some time to go check out the Artisan open mic, tho I didn't play guitar.  There was a full scale of people play and I managed to back Bill up with percussion, namely drumming on a box. There might have been one more song Bill played but I think these were the ones that he did do.  

Mike McMeins did leave his drums up there but with no snare or cymbals, I used a box to maintain the beat and a tambourine for a hit hat.  The cowbell trick didn't work.  But for the most part, Bill usually plays mellow and slow tempo songs.  But with a full crew of jammers there, after his set was done it was 9 35.  I passed on playing guitar tonight.  


Saturday, 8 January 2022

Blues Rox At The Bohemian

 I had reservations about this gig, since I haven't played alongside these guys, never mind that I had a flu shot and Covid Booster to boot.  So I was dead tired when we got in to play on a chilly and freezing night. We didn't need the freaking drizzle shit.  With the write up that we got when The Bohemian announced us playing, we had to rise above the chaos that was the bizarre Checker's gig and the Artisan with Mike playing drums in my absence.  At least play the songs that won't get us into trouble. 




While other bands had issues, Blues Rox didn't.  Owner Mike Richards treated us with respect.  The guys had to set up on the floor, the stage was way too small, even for my drums I had to employ half the set and a couple cymbals to boot..  I didn't set the bass drum legs, and it moved most of the songs and the gig.  Plus there was a vent that went down to the basement and another room,  I damn near dropped a drum stick between the rails, thankfully it didn't fall through.




My biggest complaint about my so called musician friends is how many bitch and whine that nobody goes to their shows, or they promise that they'll be at yours and never show up.  It's a Saturday Night and of course there are bands playing down the road and elsewhere and I know people had to pick and choose, plus the weather never helps either in the winter.  It's either a snowstorm or blizzard or freezing drizzle or rain or below zero.  One was complaining that there was no bands playing (I guess he doesn't bother to read my updates, while feeling for himself) but did pop in at North Port to see Past Curfew. Fair-weather friends, got plenty of them.   Only Julie and Guitar Dave managed to show up and Julie took plenty of pictures.   Mike Richards also took a few videos to document.   He might have taken this one photo.




We were surprisingly good tonight. There were a few lapses on songs. but despite me trying to get over the shots of Friday at Unity Point, and despite the drum stick almost going down stairs did better than usual.  I haven't practiced all that much.  Having the smallest stage and not big enough to have a full drum set, I had to go with the basics.  One bass drum, one hi hat, snare and two cymbals and cajole for a stool.   The Bohemian is interesting place, the basement has rooms down there and a bar and some private rooms for conversation.  It's an old business place that Mr. Richards has been putting together and originally this was supposed to open in 2020 before the COVID epidemic broke out and messed things up.   I haven't been upstairs, but the basement is super cool.






I don't think any one moment stood out, which is fine.  It was a workmanlike performance, and Kristopher doing some outstanding guitar leads and the blues shuffle went well as well as the tired favorites of Brown Eye Girl or Johnny B Goode.  We did drop Stuck In The Middle for Further Up The Road before concluding with Free Bird, probably the best version of that song that we did.  We still cannot get people to dance to that. 




It was a 2 hour event, so breaks were taken.  We did not do Wipe Out.  My decision.

There were some issues about payment but we all did get our money for playing.  I'm not sure if we will be back there but if we do play, we will be playing upstairs outdoors in the patio area.  By then I can find all of my drums into one space.  The stage inside is for acoustic people only. 



Thursday, 30 December 2021

Christmas and the year in review.

Happy holidays.  It's another brown Christmas, temps are in the mid 40s and it's a nice day.  To which at this time of year, I go back and take a look at the year, both good and bad. 




2021 turned out to be more trying year than 2020.  The Waubeek and Whittier Jams are a thing of the past and probably not coming back for next year or for that matter the Parlor City Blues Jam.  There are still some neat jams and open mics in town but the ones on weeknights have suffered.  Whisky Jo's and Checkers are the two main ones, The Artisan still has the twice monthly open mics and the Quad Cities have plenty if I want to drive there, or Des Moines, or Dubuque.   I made one trip to the Smokestack to check out and of the course the Black Friday Jam at the Eagles' Club that had bad sounding drums and I ended up getting Covid two days later.  While it was considered mild, I still slept most of the first two weeks away in December and couldn't stop the hacking/coughing.  It was the worst that I felt since 2018 when I had to cancel two jam tributes that year.  Spring and fall processing and I packed the guitar away for long stretches   The jams opened up this March with Stone City and Checkers started up the acoustic open mics, Checker's moved theirs to Thursday.  Despite the return of Hart/Parker, the participants dwindled down to a select few.  Kat Blue tapped me to help her out in August and it turned out to be a lot of fun but it also came with reservations, namely from my other half who accused me of hanging with the enemy.  Granted,  the hosts of the jams would not come out and support the other acts by showing up.  Kat did have a few more jammers than Julie and Dave did this month.  In Kat's defense, she does enjoy me being a part of her jams and band fill in when needed.  And she's always made good on her end of the deal.   The jam with Julie And Dave would turn out to be the last one at Checkers for a while.  Thankfully, I got there to play it. 




 I had no time for The Townedgers' projects and Geoff Redding out the door. Robbie Prescott replaces him and whenever we will get around to do another album remains to be seen. The Acoustic Adventures did come around once in a while, tho I favored the Rumors Sunday Funday Jam and me and Terry McDowell have been getting along quite good. For six years, he has done a great job keeping the Rumors jam alive and well.  The core band of Billy Bourbon, Tommy Bruner, Tim Canfield and sometimes Jeffrey Taylor have been the prime players and I enjoy the time jamming with them.  Of course the usual criticisms will come up, (too fast, too loud etc etc), most of time I'll find my way back to their groove, they prefer a simple beat and not too many drum fills, but sometimes I get annoyed enough to roll my eyes and pencil in more Acoustic Adventure appearances at Stone City.  I have not made it to Dharma's for their Sunday Acoustic Jam, I always had some issues with Billylee Janey in the past and Troy Mills is about halfway to Waterloo and takes me off the route to CR and Rumors after playing Stone City.  Sean Ryan has moved the Monday jam in Moline, but I didn't make it to any of those jams, I spent more time watching the Quad Cities River Bandits play and win the Championship this year.  But then I stuck up a friendship with Bryan West of Avey Grouws Band and promised him that when he host a jam down there, I bring a guitar and play and he can back me up on drums.  He's very good and one of the nicest dudes I ever met.  More about Avey Grouws later.




Contrary to rumor I still have not got any groupies or one night stands, not that it matters much, being 60 and no longer a looker, I managed to keep away from temptation.  Cynthia Mahoney is now long gone, I haven't seen her since she walked out during a Artisan performance and we all for the better of it.  Although, she popped up to post something to that she misses hearing us.  The feeling isn't mutual  




The Artisan moving from Marion to Cedar Rapids was one off the biggest stories of the year.  We went from a small, cramped but cozy place to a much bigger place and larger stage.  I do miss the days of going to Marion, tho not so much of trying to find a parking spot when they had the Thursday Bands on the Square   Adding Mike McMeins to the sound guys along with Patrick Lower made me sound better than usual.  Not my vocals are up to par with the pros but it does okay.

Another big story was COVID showing up in November and the jams begin to disappear.  Taz Grant and Kevin Sinmacher lost their battle to COVID and I ended up getting that shit after the infamous Black Friday Jam.  I only played once alongside Taz, but Kevin was there from the beginning adding shots to me to be part of the music scene.  Gregdon Cole also passed away but from cancer.  He is missed greatly as well. 




The year of Blues Rox was more uneven than 2020.  In our second year it still remains a father/son duo with a hired rhythm section and the bass player became Russ, my best friend and co hort of Paraphernalia/Tyrus years ago.  It's nice to have a bass player to help out, to hopefully fill out our sound.  But this year, the lack of practice and the lack of wanting to step out that comfort zone has turned this band into a family event for the Bries and the performances suffered greatly.  The best moments came from Chris Avey sitting in our set in October at Checkers Jam with the Mandela Band and Avey Grouws Band, but the next month without Avey, we sounded like crap.  The Jones Country show on the Free Stage had moments of greatness too but I had to compete with Kane Brown's shitty loud beats overpowering our band while they were at rehearsal.   Somehow we passed the audition to come back next year.   Kris did show up for a Whisky Jo's jam, but nobody waited on him and he hasn't been back since.  Chris Avey really did get him to play his absolute best.  A shame that the Parlor City Blues Jam had to end.  Kris had Craig Erickson, Daddy O and Dan Johnson help him solidify his chops.    This month's Artisan I had to bow out, but Mike McMeins filled in nicely. There were some wrong headed moments, especially the worst idea of taking Keep Your Hands To Yourself into a crapola blues shuffle that didn't work, that was at the JA Tap, and we haven't been back there since that episode.  Another one and done was the Wasserbaum Water Park in Williamsburg to which the sound guy worked on the getting the drum sound right for 20 minutes, and then having five people all total to come see us play.  But at least a free night stay at the hotel and getting paid 100 dollars was worth it.  In the end, we regressed more than progressed and showing up to play in front of 10 people tends to take the fun out of this.  It's nothing more than a gloried practice, to which at times we did get paid.  I don't think Kris is that interested of playing, since he's been taking night shift jobs.  Blues Rox has one more gig coming up in January.  I think it will be our last. 




If there was one thing that went right, was that Russ Swearingen and I started playing again together. As for any more Paraphernalia Tyrus shows, not going to happen, DeWayne and Dennis have retired, and Mike continues to rag about his ex wife.  40 years ago, Paraphernalia was recording and we were trying to get better but we never did find the right combination of musicians or songs to make it work.  As I sit back and listen to our recordings of 1981-82, it appears that my dad was right, I was bashing the cymbals way too many times.  But being a angry young kid that didn't know shit, I took my frustrations out on my drums and cymbals.  And still wouldn't get laid till a dozen years later on.   Mike was a damn good singer but with our songs, he blew his voice out.  Too bad our main guitar player Doug knew how to turn his amp up to 11.  As they say, the louder you are, the more you suck.  




I was flattered and honored to help out Kimberly with the No Limits Band after the Blues Rox Wasserbaum gig.  Kimberly hasn't had the best of luck, with most of her band dropping her after Fred Stock, but No Limits had Craig Erickson and Stacia Roccio helping out and tho we never did get to practice, we seemed to be more in tow than Blues Rox was.  I'm sure 2022 will find me and Kimberly working together off and on.  But again, I will have to fill in if she can't find anybody.  Contrary to what people think, Kimberly and me have a musical relationship and nothing more.  




The year with Julie started out great, she made my 60th year on Earth fun and for her birthday in April, I took her to Dubuque.  Then the kayaking incident in July and it hasn't been the same since.  We're still trying to understand each other and tolerate each other's quirks, but outside of playing harmonica in a couple of open mics, we never got around doing much else on stage.  Most of the time she is part of Guitar Dave duo and it works better for her than my set of songs.   2022 may find us either drifting apart or coming back together again.  Life would be so much fun if Kyle was still alive, and she'd be much happier.  The jury is still out on me. 




The Cabin Jam this summer I had to deal with adversity between warring people and I doubt if I'll go back there for next year.  I love Donna Jo and Bill Elsner and thank them for their dedication to the cause.  It's a nice cabin, we didn't have to deal with mosquitoes or humid temps, it was a one in a million day.  And I got to once again play drums for Pinicon Drift again, Dave Petersen is one of my fave people to play on stage.  Also at the old Bar outside of Monticello,  Terry McCauley and I got to jam together and he made me work for playing that snare.  I'd love to go see him play and perhaps bring the drums again. 

30 years ago, Greg Nutter got me back into playing music again and inspired me to make Diamonds In The Skies, a 1991 album that showed once I worked a four track right, the songs would be much better. The vocals are still in that odd goth sounding tenor, but there's no doubt the songs were strong.  It's a shame that Melissa never heard Sweet Melissa or Christine on Still Strangers but when I think about the time we were going steady,  I blew her off when she was ready to rock.   I was in the wrong, but at that time I wasn't ready to accomply her on the bed sheet rhumba.  But then again, she was a Gemini and that's the worst sign for me, despite what the stars say.  They been nothing but trouble. Isabella was Gemini too.  For 2022, I plan to cover some of the songs off that album to play live.  2022 will be the 30th Anniversary of Drive In Blues as well.  I think I have a few songs I can play off that album too.





Here's the gang that was part of my musical adventures of 2021 

Freddy Jones, Kristopher Bries, Brian Bries, Russ Swearingen, Billy Bourbon, Tim Canfield, Tommy Bruner, Terry McDowell, Dave Bonham, Bill Schettler, Rick Wingle, Nick Lnenicka, Bob Gleason, Tom Berdo, Mike Fredericks, Phil Koening (Phil Bo King), Kimberly Kirzan aka Kat Blue, Donna Jo Elsner, Tammy Wildcat, Steve Black Wolf, Greg and Brenda Mein, Chris Avey, Bryan West, Maurice  Anholt, Dee Vieman, Jeffrey Taylor, Richard Edward Butler, Russ Gracklin, Brett Johnson, Skeeter Louis, Wes, Barbara Finestrom, Jasper Hovenstot, Mark Awad, Ronnie Boles, Carl Meiners, Cathy Hart, Dan Hartman, Al Hendricks, Frank Gasler, Randy Faulkner, Tanya English, Ed English, Dakota McWhortor, Chuck Savage, Corey Baker, Bill Hoag, Jan Hoag, Jim Meyers, Bob Miller, Jeff Allen, Virginia Harlow, Demetrius Harris, Patrick Ticklenburg, Mike Rolen, Eric Paul,  Michael McMeins, Nate Hines, Amanda Marshall, Eddie Jarrell, Michael Clair, David Pedersen and Pinicon Drift, Karl Hudson, Jeff Overly, Craig Erickson, Stacia Roccio, Layne Goldsberry, Perry from Iowa City, Lou Roccio, John Stephenson, Braden Carden, Adam Montgomery, Eric Paul, Blues Boy Billy, Ernest Bynum, Brian "Taz" Grant, Matt Panek,  Mike Zhone, Jeff Craft, Rocky Burmeister, Billy Ginkens, Gary Darling, Dan Johnson, Jamie Allen Vance, Tara Primasing, Jeff Reeder, Brian Laudio, Roger Adams, Tim Kauffman, David Lee Kirksey, Lorie Parker, Terry McCauley, Guy Peterson, Mark Johnson and Marijane Euchner.




I am surprised to see 97 folks share the stage with me.  Some are hall of famers, some are rock and roller, blues, bluegrass, country, some are just starting out and even Jasper is three years old, the oldest is probably Al.   Randy Faulkner is one of the surprises, he did backing vocals for a song Al played but he doesn't play drums anymore. There are legends to boot and somewhere I fit way in the back but still proud to be a part of this.




There are highlights to boot.  Backing up Al Hendricks on his birthday bash, watching Kristopher go into the stratosphere with his blues songs and then see Chris Avey push the envelope much more on his guest spot at Checkers in October.  Having Russ play alongside me.  Having Freddy Jones and Phil Bo help me out on the blues that I play and sing.  Seeing Brook Hoover waving and yelling from the top of the Bohemian on a hot July Afternoon.  Helping out Terry McCauley on the Barn Jam.    And the rare pairing of Steve Black Wolf at the Cabin Jam,  Steve doesn't go out all that much due to his health but it's a treat to see him.  I don't think all the Blues Rox shows were wasted efforts, in fact we did quite well during Fred Stock and Chris Avey really was the best we did.   In due time, it's best to remember the good and forgo the bad.  Everybody, every band has that too.  The Good and the bad, the happy and sad.   Will this all be remembered come 2061?  By then most of us will be dead and the young will be in their forties.   




Every year, there's this premonition that this could be my last year of playing.  Hell, I have been saying that every day and then pony up for another trip around the sun.    I think 2022 will be a different year.   I do hope that things will be better and everybody will be around but people will retire, people will die, some will get fed up and quit playing and go back to waste the rest of their years watching TV.  I don't plan to be that person. 




I hope to continue to enjoy playing drums and backing people up when the case may be. I don't expect to get rich on my musical adventures, once in a while I'll get a 100 here and a twenty there and appreciate the kindness of strangers.  I hope Julie will still be around but I also hope she will find that happiness that she is looking for, I hope my parents will still be around as well, I hope my mom can return to her fun and usual self.  It's heartbreaking to see somebody you love fall into the despair of Demetria.  And I don't wish that on anybody, or with Covid.   I also hope to get back into playing more guitar and getting back to singing my songs like I once did.   I think that's my option, since I continue to battle those who continue to complain about my loud and fast paced playing.  Believe me, I haven't played fast and loud in a while.   I hope Waubeek and Whittier can continue the jams like they once did but I don't foresee that.  Nor Parlor City for that matter.  But while one jam place ends, another will come around and pick up what was left behind.   Life will go on, and music will go on. But I cannot my life without my mom around.  She's has been supportive of my music going ways and she suffered many a day with me pounding on drums and playing guitar.  Forever indebted to her and forever loved. Love your parents. One day they will not be around.



Blues Rox Report From Brian Bries

 As 2021 ends, I reflect on all of the great happenings with our band, Blues Rox.  We typically play about once a month as our personal commitments take top priority.  A little over a year ago, we welcomed Russ Swearingen into the fold and he has been nothing short of fantastic.  Our drummer, Rodney Smith and him go way, way back.  Our first gig of 2021 was on February 19th at  JA Tap.  John and Amanda Hruby do a fantastic job of supporting live music every Friday night and taking a chance on a band that doesn't have a strong following like others.  We did have a gig scheduled the previous week at Prairie Creek Saloon in Norway, but cancelled due to the extreme cold.  Dawn Marie Oberreuter, who previously owned the bar, is a very strong supporter of Blues Rox.




Our next gig was at Checkers Tavern on April 9th.  Pam Harrington and PJ Pj Harrington are also great supporters of the local live music scene and typically schedule live bands every Friday night.

June 12th was a very memorable afternoon, as we were one of the featured acts at the local neighborhood event, FredStock.  Fred Stock is a popular local musician that plays bass for Palomino.

June 26th we played an afternoon show as a 3-peice back at Prairie Creek Saloon that was actually a farewell to Dawn Marie Oberreuter, as the bar was sold to another person. 

July 17th was our first event at the Artisan's Sanctuary.  James H. Jacobmeyer is another supporter of live music as the sanctuary holds weekly open mics every Tuesday.

July 24th was the biggest event in the history of Blues Rox.  We were invited to play a Saturday afternoon show at the Great Jones County Fair.  Thanks to Doug Langston.  It was very satisfying to see people walk past the stage tent, and sit down to take in a few of our tunes.

August 6th saw Blues Rox play at Smock Resorts/Wasserbahn in Williamsburg.  Another great show with an incredible sound and lighting system.

We returned back to Checkers for shows on Sept 24th and Nov 12th.  I do want to give a shout out to Chris Avey, Jeni Holtan Grouws, and Bryan West from the AveyGrouws Band who showed up at a weekly Checkers Jam on Oct 10th.  That was an epic night and a wonderful experience for Blues Rox.

We finished our year with a special December event at the Artisan's Sanctuary with fill-in drummer Michael W McMeins from the BassAckwards band as Rodney was dealing with some Covid issues.

Throughout the year you could find members of Blues Rox at various jams in the Cedar Rapids area, specifically Rodney Smith, as he is one of the biggest supporters of live music.

All in all it was a great year and I want to thank all of our family and friends that were able to join us at any of these events.  Also I want to thank all of the band members for the wonderful ride.

Our first event of 2022 is at The Bohemian on January 8th.  I'm not sure what the future has in store for us, but thank you to everyone for being a part of this musical journey.




Wednesday, 29 December 2021

Last Jam Of The Year At Whisky Jo's

Songs played 

Drift Away
Kansas City
Time For Me To Fly
Advantage Of The Bottle
Hey Bartender
Long Time Gone
Folsom Prison Blues
Rodeo Song
Born On The Bayou
What's Up

Proud Mary
Chevy Van
Dreams
I Feel Good/
Hell On Heels
California Dreaming
You Don't Know How It Feels


With 

Lorie Parker-Guitar and lead vocals 1-3, 11-15 
Donna Jo Elsner-Percussion and backing vocals
Dee Vieman-Lead vocal 7,9,10
Tommy Bruner-Guitars (all songs), lead vocal on Long Time Gone, California Dreaming
Billy Bourbon-Bass (all songs) Lead vocal on 4,5,8, 17
Maurice Anholt-Guitar on a few songs
Terry McDowell-Host
R.Smith-Drums (all songs)




There were some off the wall stuff in between breaks, namely Hold Your Head Up to which Tommy was played the riff and there was another song that sounded like To Love Somebody but it became Chevy Van. Despite another snowstorm that dusted the highways, there were plenty of people there.  Kat Blue, Brett Johnson, Anita, Skelton, Greg Nost and Bill Elsner were there with Tammy Unash, who has been with Tommy for over a year.  Tom Berdo had hip replacement and is recovering from that.  Here's hoping he'll get to feeling better soon. 

I'm not sure about the medley of I Feel Good/Hell On Heels, but I don't think the latter song was the Pistol Annies, but something that Lorie did with Cathy Hart and Donna Jo knew the song.  California Dreaming was done for the first time, I don't recall playing that song.   The Rodeo Song was done between Dee's songs with Billy remembering most of the words.  There might be a song missing from the list that I wrote down.  There's four of them that I have never done before.  Strange, we didn't play any blues.

Kat Blue had her grandson with her and he gave me a hug while she wanted to play My Baby Loves Me. But I promised her next time we will.   This was the also the first time, I played alongside Lorie since the Checker's Hart/Parker jam of March this year.  She mentioned that this was her first Wednesday off in a while.

During Dee's appearance, she mooned me a few times with her loose fitting jeans.  If you got it, flaunt it.   

Comparing the Whisky Jo's jam to Rumors, this is a bit more varied and a bit more fun, tho there are more jammers on Sunday than Wednesday Nights and for me, it's tough to take the night off, tho, my place of employment, we got everything scanned and basically my boss said it was all right to take the night off.  I entertained a thought about grabbing tacos before going over but decided to wait and go after the jam to the Taco Depot.  They're very quick with the order and I was on the way home a half hour later.  I can count these guys to for quality tacos and quickly too.

Tim Kauffman played drums last week, Sir Bob and Bonnie Harrison and DJ Hovenstot played two weeks before but on the final 2021 jam, I relieved Terry.  I guess due to the snowstorm, the drummers decided to hold out and wait till Sunday at Rumors.  The weather doesn't look so hot.  Another snowstorm and 12 below temps await us this weekend and Stone City canceled the open mic.  There is no Checker's Thursday Night open mic, but the Olympic does have one going tomorrow.  I might decide to check out Christopher Gray's kids play live, I doubt that we will be busy at all at work, but I may just hang out and finish up the rest of my year in review blogs and get them in before midnight 2022.  There will be changes forthcoming.  Hopefully, we will all have better luck next year.

At least we can hope. 




Tuesday, 28 December 2021

Artisan-Snow And Go

Only Patrick Ticklenburg, John Weldon, James Jacobmeyer, Mike McMeins and Freddy Jones managed to show up in a after snowstorm that dumped four inches of the white shit in town this season.  More fucking snow on the way.

It took me about two hours to shovel the driveway, all for naught and took a power nap before fighting the red lights, the traffic, the semis and more red  lights to town for the Artisan open mic.  I did entertain thoughts about not showing up but somehow since I had the night off, I would make the most of this.

Turned out that I hogged most of the open mic with a bunch of songs and originals, then Freddy Jones showed up, so we did a few more to close the night.

Jim Jacobmeyer took the photo.




First Set:

I Started Hating Cheating Songs Today
Get It Over With
For What Its Worth
Logic And Lies
Be With Me
Behind Blue Eyes
Teri
Cinnamon Girl

Set Two With Freddy Jones on Harmonica

It Hurts Me Too
Bright Lights, Big City
Light My Fire
I Just Want To Make Love To You (Snippet)
Let's Work Together/
Never Trust A Sleeping Train/
Jet Airliner
Help Me
Rock Me Baby

The snowstorm made people stay home, but this turned out to be a whole different set list of songs  Cheating Song once again got a makeover, using the capo fret 3 in the key of C sharp.  It was thought up on the spot so I went with that.  Five of the songs were original and I snuck Never Trust A Sleeping Train in the medley that Freddy played on.  I think we went more deep into the song book than originally planned. But with nobody around, we could experiment.  I wish I could explore more into the songs that I played, but after shoveling snow for two hours, all I could do was take a nap and then go with what I know.    It turned out pretty well, despite me not remember half the lyrics to certain songs. 

Sunday, 26 December 2021

Stone City-Riding The Storm Out Part 2

Songs Played

Correspondence
Good Time Charlie Got The Blues
I Fought The Law
Jet Airliner
I Just Started Hating Cheatin' Songs Today 
Bright Lights Big City
It Hurts Me Too/
The Life We Lead
Cinnamon Girl 

Mike Fredericks, Dave Bonham, Bill Schlitter and Rick Wingle in attendance.




I started out coming into town and checking up on the folks and then exchanged gifts with Julie before going to Rumor's to which Tommy Bruner a happy birthday.  Rich and Jess Toomsen were there and I chatted with them for the time I was there, but with DJ Hovenstot, Sir Bob Miller and Herman already there on drums, I had to bow out in order to get to Stone City to help Dave out in a uninspired performance.   Later  Billy Bourbon played drums with Mark Awad on bass.




We got hit with a sleet storm after playing Stone City and the S curve into town was slippery but the storm was over and done a half hour later.  This may have been the reason why I got out of Rumors when I did.




Happy birthday Tommy Bruner, who had a birthday bash for the jam.  Tommy is an inspiration to being part of the full time musicians that keeps me on my toes  when it comes to the jams.  A few folks showed up to celebrate.  Jess and Rich Toomsen were there, Phil Bo was there, the drummers were Bob Miller, Herm Saurday, probably DJ hovenstot, and Billy Bourbon in place of me while I headed to Stone City.  Mark Awad, Bob Gleason, Nick Lnenicka, Morris, Brett Johnson and of the course the Firegirl.  Tommy came all the way back from celebrating Christmas with his son in Indiana and got a two hour nap in before playing.  He was spared of having me on drums.

Thursday, 23 December 2021

Checkers-With Jules n Dave-Carry On Wayward Son

Songs played

Get Rhythm
Ring Of Fire
Jet Airliner 
I Fought The Law
For What It's Worth
Everybody's Talking
Train Goes Nowhere
Mercury Blues 
Cinnamon Girl
Bright Lights, Big City
Santa Claus Is Coming To Town

And somebody gave me twenty bucks for my trouble.  What a cool guy who did that.




Kevin Sinmacher passed away yesterday from COVID.   It was a shock to hear about this.  Kevin was instrumental in taking photos of me when I played at Rumors.  He made me feel like I was a part of Dreams Of Arcadia when we opened up for Four Day Creep in 2019.  You could always find him around New Bo putting videos of bands playing at New Bo or The Chrome Horse.  He was a classic rock music lover from beginning to end.  He loved Carry On Wayward Son by Kansas.  To which that song will be forever known when I think of Kevin.  When he filmed Four Day Creep and Dreams Of Arcadia, he put a hidden camera on the drums and there's an unedited version of that with me mugging at the camera.  Sometimes I didn't care for some of the photos taken of me but in reality Kevin knew what he was doing, even if I didn't think much of the photos.  Such as this one that Kevin took.  Kevin played in bands known as Harvey Headbanger, Robin Banks and Retro Rockets, the last one his regular band.  I got to see him a couple more times down in New Bo.  Me and Patrick Lower saw Retro Rockets after the No Limits Band finished up their Homestead gig.  

Pat Ticklenburg and Quinton Duarte were part of the showcase tonight.  Rick Wingle played after I left.  Get Rhythm was thought up on the spot when it came to requested Johnny Cash numbers.  Of course I had to do Ring Of Fire, but forgot If I Were A Carpenter, which I could have done had I known. Pat did Dead Flowers later on the show.  Another number I could have done but spaced it off.

In short, most of the usual suspects were here, tho Santa Claus Is Coming To Town was a lousy way to end my set.  I think I did one too many songs but Dave kept saying One More, so Bright Lights Big City was done as the encore.  In the end, somebody did left a 20 on my guitar case, so therefore, it was a paying gig.  And a fun one to boot.  But alas, this would be the last Checker's Acoustic Jam for awhile. It's been put on hold once again. 

See you on the other side Kevin.

Kevin Jay Simnacher, 61, of Cedar Rapids passed away on Wednesday, December 22, 2021.

He was born to Robert and Phyllis (Martin) Simnacher in Vinton, Iowa. He graduated from Vinton High School in 1979 and obtained a graphics arts degree in 1981 Hawkeye Community College. He married the love of his Danielle on November 16, 1990, in Waterloo, Iowa.

Kevin had a love for the arts, graphic arts, and music particularly. His passion in life was being a musician and his beloved bunnies.

Left to cherish his memory is his wife, Danielle of Cedar Rapids, Iowa; parents Robert and Phyllis Simnacher of Vinton, Iowa; sister Becky VanWey of Brandon, Iowa.

In lieu of flowers, memorials may be in care of his parents, Robert and Phyllis Simnacher at 5521 23rd Ave Drive Vinton, Iowa 52349.