Tuesday, 27 May 2014

Thoughts From The Townedger May Edition

I have been extremely lazy this month.  And laid up from three weeks of allergies and the flu, so basically I have pissed off on the cover art of the Forthcoming Trains album.  The record label isn't too happy with me it seems but I promised (this time for real) that the album will be in store first week of June.  And you can hear only on Radio Buzz'd.

There's a treasure chest full of unreleased stuff that I hope bring out to see the light of day later in summer as well as a formidable best of the early years before renaming the band to The Townedgers.  But then again when there's talk of cover art, I just go, why don't we just release the CD as is and let the fans design their own cover art?

It's finally springtime here in Iowa, the fucking gnats are out in full force.  It's hard to do an outdoors event and have 10 of them buggers are going into your mouth while trying to sing.

If I can ever catch wind of it, I'd love to do some jamming on those infamous Bacon Jams that they have in CR.  It's funny how 30 years flies by and the old Tyrus band trying to get their foot in the door.  I'm surprised by the crazy drumming style that I used to do in that band, the smash and crash method but in this day and age I can't do that anymore without getting a heart attack.  I can still maintain the beat as well as before, in fact my playing is better now than it was back then but still I amazed of how I managed to pull off some of those drum rolls and cymbal crashes back then.

There's talk of doing a 30th anniversary edition of Live Under A Full Moon, our final show as Tyrus. I may have Martin Daniels mix that one from the original copies.  It would mean sitting through the whole thing and picking out the best songs.  Awful lot of filler and missed notes and words and nobody wants to hear Free Bird anyway.

The best Rocky Mountain Way version we did was the Squaw Creek reception but Dong Bonesteel forgot to bring the recorder so that's committed to space, time and memory.  I really have no idea why we decided that song was going to be our main theme between all the cymbal crashes and Mike trying to keep up with the vocals.  Still, I look at the Tyrus years like I do The Big Crash Years.  It's fun to revisit but I don't see a major market for this, except for fanatics of the band.  And I would like to meet these fanatics if they do exist.

Mike has actually been going through a bad time, I guess Maj, his wife left after 12 years and he's not taking it too kindly either.  Don't know the whole story behind that and as they say, please respect our privacy as we go through this crisis.    I probably said too much.

Sometime in July, I should get together with Alex to see if there's any chance of a new and exciting music project coming from this.  I'm thinking of adding Russ to the band for emotional support. We do play very well together.

The inspirations that shaped some of my earlier songs are no longer viable anymore.  Why write about somebody that you haven't seen in over 30 years and haven't lived in town as long as that too?  The songs about Janice served a purpose but nowadays we are total strangers and doubt if I would know her if I've seen her in this day and age.  She doesn't have that Farrah Fawcett hair cut anymore.  Ancient history. And not a good one at that either.  Look for a new revision on Running In The Rain should we play that live.....

I'm sure if I would have used the Paiste cymbals on the latest album, they would be cutting though a lot more louder than the Z's.  It's a matter of choice, both Z's and Pies are great cymbals.  If I pose the question again about what to use, I'm sure the majority would still want Zildjians.  The next project I'll use Impulse lineup for the 1986 tour.   Still have most of them.

I've heard that Marco's Pizza has returned back to CR, which would be great.  If I know where the new location is at I'll be a regular visitor again. Always love their pizzas the best.  Naso's I love as well but they're too expensive anymore.  Little Ceasar's 5 dollar specials are good for snacks.  Zio Johnnos' pizzas suck.

Happy birthday to my DJ rock and roll buddy and sometimes TE conspirator  Diggy Kat, the number one fan and sometimes inspiration for his band Vufcup.   'Ears to ya bro. Cheers!

  

Sunday, 25 May 2014

How I Spend My Saturday Night In Quad Cities

https://www.youtube.com/watch?v=oyqUeJgFlPM&feature=youtu.be

Thought I go to Davenport for a Saturday Night game to see the Cedar Rapids Kernels playing the home team the Quad Cities River Bandits.  Pretty good game, CR had 2-1 lead and Matt Christensen robbed a Quad Cities player of a HR.  But another walk and Conrad Gregor came up to bat. 

It's a hour and 20 minute drive to the QC from where I'm at and usually I go to Cedar Rapids to see the Kernels play but the last three games I have been going to Davenport.  They got a nice stadium and for 6 dollars you can watch the game from the center field wall.  Last three times I been out there I have had the damn ball flying toward me be it fair or foul or Home Run.   I couldn't do the river walk, the Mississippi is over its banks and have inundated the trail behind the park with muddy water.

But anyway, the game was somewhat a pitchers duel and kinda boring till the bottom of the sixth and I was out there in in the fence with a couple folk around me.  One of the folk was Conrad's dad Marty who was from Indiana and in town watching his son play.  At that time he didn't hit a home run prior before getting a pitch and hitting it far.

As I saw it in the setting sun, it looked like it was coming towards me.  Since I couldn't catch the fucking thing when I played baseball, I really wanted nothing to do with it but I heard his dad calling for the ball.  I pointed to him and said You catch it, I'm not.  Knowing my luck it probably hit me upside the head or me dropping it.  But Marty made a heck  of a catch and we congratulated each other with handshakes and high fives and chatted a bit before he said he was heading to Burlington to see his son play the next day.  Anyway Cedar Rapids got swept by the River Bandits 5-2 after Tyler White hit another HR after Conrad did his. But Quad Cities got swept by Burlington today whereas the Cedar Rapids Kernels won 6-5 over Beloit.

I hope to return to Davenport a couple more times before the season is over.  In the meantime, here's further proof that I was there.  You can tell who Marty is. (the guy with the ball).  I'm the one in the green jacket.


Wednesday, 30 April 2014

Thoughts of the Townedger-April

April showers brings may flowers and too much fucking rain.  Once again like last year I had to put a hold on the new album by dealing with another flood in the basement and hoping that we can get the GD motherfucker dried one time before I'm dead and gone.  Getting too old to keep doing this shit year in and year out.  Time to fix the cracks in this leaky assed basement.

A tip of the cap to Diggy Kat for his help on the Soundcloud site.  Of course only me and him have been the regular visitors

It didn't help that I was sick most of the month after my brother got the flu on his 50th birthday.  Think I had the fucking flu in some way all month and now am in the process of using vacation time since my sick time is used up. 

I think Alex at work is really jumping at the chance to get together and do some jamming. If he's real interested of starting a new band, I can probably grab Russ to do bass, provided if I get him off the golf course this summer.

I have been very selected in what I hear for new music.  The new Kaiser Chiefs album is not that great but I do like the new Black Lips, love the Strypes and Len Price 3 new efforts and admire the latest from Leon Russell. In comparing the new Beck Morning Phase to his Sea Change, I like his latest much more.  But then again I find Beck Hansen to be acquired taste at times although I have come to like Mellow Gold more now than 20 years ago.

In going to Davenport I was dismayed at the fact that the place I got my DW's from Griggs Music, didn't have any DW drum sets around.  I had aspirations to trade my set in for a new set but will have to wait.

With Forthcoming Trains, it was a trip to yesterday since I used the Pearl Snare for the first time since 1986 and it sounded excellent on some tracks.  Somehow on the recording the Zildjians used didn't stand out in front like the Paiste set did on 30 and Pawnshops For Olivia.  But I think on the next project the Z's will be the choice once again but on the next set, I'll dig out the ones that I used on The Road Less Traveled and 20. And go with a ride with a more definite ping than the old Sizzle Ride which didn't stand out very well for a ride after all.   Can't figure that one out.  I might unretire the Impulse Ride (used on all of the 90s albums up to Road Less Traveled).

April marked 20 years since I started up a relationship with Clarise (which ended in Valentine's Day 1998) April 12th it was when I ran into her at the old SkyWalk in down town Cedar Rapids.  I could remember that day, however I can't remember her birthday at all.  Her youngest turns 20 in May.  Haven't seen her since picking the car up, (three car payments late and one step ahead of the Repo Man and a bad credit rating) in 99 but I do wish her well.

Let's hope for dry weather.

Friday, 18 April 2014

The Townedgers Are Now On Sound Cloud

I have been very busy of late putting together the new album and after getting 7 and half inches of rain last weekend, had to deal with water in the basement issues once again so everything got put on hold.  But my good friend and big band supporter Diggy Kat finally got me to open up our very own Sound Cloud site of where you can hear some of our "hits".  For the most part, Diggy Kat has a his own show on Radio Buzz'd and Thursday Morning he paid tribute to The Townedgers by doing a full hour of our music!

I'm not worth a shit on MP3s but Diggy has a way to convert the music over to MP3 files.  This computer does WAV and the files are way too big for me to put songs on Sound Cloud but he can.  Anyway, this will be the site where we show off our wares and have new music as well as my favorites from the past on this site.

Check it out whenever you can!

https://soundcloud.com/thetownedgers

Thursday, 3 April 2014

Home

A forthcoming train coming down the track
Moving due west and not looking back
As I sit back and watched the sights
A passenger, dreaming away far from home

In my youth I went out for baseball
Had ambitions to make it to the hall
But in the end I couldn't hit the ball
Bases loaded, swinging away, struck out at home

Playing guitar in a empty bar
Realizing that I didn't get too far
But in my mind I am a star
Singing songs that nobody knows, thinking of home

Yes I know I got no expectations
I'm dealing with life's frustrations
The more I try, the more I fail
It's getting old
Leave me alone
Take me home


I'm getting old
Leave me alone
I'm going home

(C) 2014 Townedger Music Emporium


Monday, 31 March 2014

End Of The Month Thoughts From The Townedgers

Finishing up the loose ends on the Forthcoming Trains and amazingly the drum tracks were all done over the weekend.  But I did add some more supportive vocals on three songs in the late hour and didn't wake my brother up. Score!

When working with Hugh McConnell, we have a time limit to get things done and this album is no exception.  I recall when we did 30  it was done in three weeks as well, and Weather On The Nines, the 1994 album with him was done in 4 weeks.  Pawnshops and 30 both took about three months to complete.  Kind of sense of urgency to get this one done it seems but everything came together quite quickly.  Also helps to have a back catalog of lyrics and songs to have as well.

Forthcoming Trains does have a direct link with the Paraphernalia since I used the Pearl Snare from that time on this recording.  It sat gathering dust in the basement and after the Tyrus Reunion on Facebook, I managed to revive it to use on the new album.  For the cymbals used, the old 12 inch K Splash returns from the dead as well as the other survivor of the bar band years the 16 inch Zildjian Rock Crash. the old Medium Thin Crash was sold off years ago and I found a replacement that I really didn't use much when I first got it.  I believe that the 18 inch K Session Crash sounded more like the old Medium Thin than the latest Medium Thin Crash   The old A Swish Ride (including rivets) was the main ride, I probably would have been better off with the Armand Ride, but on the recording I didn't substitute any other cymbals this time out, unlike changing over to RUDEs from the 2002 on 30.  With the nostalgia out of the way,  I'll end up using another cymbal lineup.  Not sure which ones.

Drinking Again was a one take number, which is why it ends abruptly, and Martin playing the bass tag line ending.  Light Years Away was about 20 to 25 although on the tape I made a smartassed comment about being the 40th take. The first version was a much faster version but doubt if we'll use that one.  The last couple albums we overloaded on cover versions, most which didn't make the final lineup, this time I covered our catalog instead.  It made better sense rediscovering and re-imagining the songs in a different arrangement.  Come to think of it, How Hard It Is was done in one take too.

2033 will be the 50th anniversary of Town's Edge Rock, but I'll doubt if I'll be alive to see that special occasion.  Why we keep bringing that record up?  Because it was the first actual proper album of actual songs, not that So Much For That wasn't that, I was still trying to get a feel of this new found freedom of writing my own stuff, rather than the one take throw them out in the open songs of Big Crash Collection.
The only things that will remain will be this blog and a handful of albums that did get out there in the free market that nobody knows about.  Or cares.

The story about Isabella losing her methadone in the pizza place on our last get together is a true story.  I remember it well since I wasn't feeling all that great and needed to head to the bathroom for about 10 minutes, then having her crawling back on hands and knees making a scene about misplacing her stash while everybody looked at her with disbelief.  Good to know she's still alive after all these years.

I'd love to return back to the great Northwest but I don't forsee that in the future.

I'm not buddy buddy with neither but I have great respect for Craig Erickson and Billy Lee Janey, the two best known musicians from Cedar Rapids.  I've seen Erickson in Half Priced Books from time to time, he's usually stocking up on blues CDs.  For up and coming folks Samantha Fish is the best blues guitar player I have seen and her stock keeps going up.

For myself, I'm not the wild Crash Meister as from the Paraphernalia days and even the first two decades of Route 66/Townedgers.  When you're playing along to the finished guitar tracks you have anticipate where you're going to do the drum rolls and cymbals accents at and if I go too wild, I'll miss coming on the right beat and being off a step.  When I do listen to the old bar band stuff I still wonder how the hell did I actually do those crazy rhythm drum roll and cymbal crashes.

Since January the Tyrus talk has died down.  I'm open to suggestions about if they want to get together to do something but since it's spring and the weather is getting better to hang outside more often, and golf season is here, Russ is focusing his energies on the back 9.  Mike is feeling better but we haven't done anything since 1992 and there's nothing on the horizon about getting back together again either.  Time and age are against us. So basically it's the Townedgers for me.

I think everybody has neighbors from Hell and we got one next door, he's always shooting dirty looks from the other side of the fence, mostly at my brother and his car collection outside.  Then again everybody hates the freak next door anyway.

My brother and me, we get along fine together and he's the biggest supporter of Townedgers Music by providing the room and tolerance for drum solos and oddball guitar work. He has become the ultimate Mountain Man, growing his hair out and regrowing his bushy beard.  I don't think he'll get to Dusty Hill ZZ Top propositions, it don't bother me as much it does for Mom.  Used to be she used to get on my case for long hair but since I'm becoming more bald anymore, I been more to Super Cuts than bro, simply of the fact that I look like Doc from Back To The Future if I do grow it out.   I can't be the hippie anymore.  But my brother can.  Ain't generics wonderful?  Wish I had his hair (although it's mostly gray which maybe I don't want it).

I am thinking of going to Arizona again this year and hanging at the usual haunts but I haven't even looked for plane fares this year, I'm thinking of St Louis if I don't want to fly this summer, I haven't been to The Chain Of Rocks bridge since 2009.  It's time to return there.

Heath permitting.

R.S.

Saturday, 29 March 2014

Drum Tracking On The New Album

And so we begin the next step in finishing Forthcoming Trains; the drum tracks and I managed to get through 11 songs, but feel a need to re do Drinking Again.  Starting working around 1 and finished up before 6, not bad considering we're fighting the damn 4 track for a decent drum sound.  But I do think that the majority of the songs it did come away fairly good.

I'm surprised on how fast this album has taken shape over the three weeks in March. It came fairly quickly by revisiting the old lyrics that I have stored up and rearranged some of the other tracks from other albums into a whole new version of the song.   I didn't want to just do cover versions like we did on No Exit, with the exception of Knocking On Heaven's Door, I covered myself, even going back to 1979 on a drums only track and rearranged it with some new words and with the help of the capo that Diggy Kat got me a few years ago made it into something it wasn't back then.  With myself strumming a few chords the lines of Seems To Me You Have Changed came into my mind and I started singing the original song How Hard It Is (to find that you're finally gone).  The original version was done with some coffee cans and an cymbal that seen better days before I got a hold of it.  It's not a final go on the album but so far what I heard it sounds worthy enough.  Anyway I still have to deal with another 10 songs before we start chopping things down to a selection of 12 songs.

While Jack Orbit's name pops up on the original lyrics and credits of said song, Jack hasn't been in person in the makings of this album and Geoff Redding for the most part has played some electric guitar and some acoustic but it has been myself and Martin Daniels piecing things together.  However while on a conference call with Jack, he did give his blessings and hopes he can hear the finished product too. 

Some songs of that past I wanted badly to redo and Midnight Run was one of them.  In 1985 the original version was on the R.Smith/Route 66 album and it was a fucking bitch to do a straight ahead 1/2 beat, instead of the usual 4/4.  We tried to redo it for the 20 album but the guitars were too fast for the drums to catch up.  This version is more true to the 1985 arrangement.  

Another reworked version was Somewhere Between You And Me, which was the final song recorded and while the 1989 version had a straight reggae beat (or attempted to do that), this version is straight ahead acoustic rock and roll.  It's much easier in this day and age to do acoustic rather than electric songs, I follow better on the drums on the recording the tracks afterward.  Ever since A Long Time Forgotten, a lot of the Townedgers albums have gone more acoustic than electric, not by accident but rather by not having to deal with loud amps and trying to shout over the noise.  Last years album 30, had the fewest acoustic numbers but still I did enough of them to give a bit of variety to the flow of the album.  But even with the finished product I'm still tinkering with it to see if I can make it sound better.  Or get valued opinions from Martin or Geoff or the producer at hand, in this case Hugh McConnell who I have worked with for over 20 years off and on. 

There's variations in McConnell's production work then Richard Dennanbaugh or Brian Mullahan, but in Hugh's case when he works on a TE project he's cracking the whip to get it done, whereas Richard would be more of a laid back approach, or if I produce it, I tend to work until I either get bored and shelve it or in the case of Pawnshops For Olivia have a creative spark and finish the album in record time.  I had to, I had to keep my mind off the GD floods that was commonplace that year, just like last year.   But still if McConnell wasn't on my case getting it done, the other guys were.

Spring has arrived and I took time to go out to the Nature Center and count the trains that run through the area and seen 5 of them today, double than the last time I was out there.  I gave myself the window of a week to do drum tracks and they're half done after one day.  A good sign.  Which leaves the rest of the time to either add some more backing vocals to the completed tracks.  Once done, the next weekend will be mixing the songs for radio consumption and for my pleasure since the albums don't sell.  I suppose if I was more outgoing rather being the introvert that I am, that the music would speak for itself more often than not. 
But it takes forever to get the right take down pat, we rarely ever get a first take done although on the new album there are a couple songs that are first takes. If they're good enough they'll be on the album.

I'm also aware that being over 50 that my years of rock and roll are just about up.  It's hard to write new songs when you really don't have the hunger like you used to have and believed that we could make a difference with rock and roll, but it's a hobby nowadays and don't pay the bills like a real job does.  I don't forsee myself 10 years from now doing new songs, I don't think I'll have the capability to do that. What's a 63 year old dude going to write about that hasn't been written or played before.  You can't write about high school girls without sounding creepy, so can't do that.  But you can still write a song about love gone bad, or yet another train song or a song for the road or protest songs about Dick Cheney being a asshole that should drink his own fracked water.  It's sad seeing the world that I used to know being drowned in spilled oil in your river or lake, watching honey bees being eliminated due to Monsanto poisons and week killers. And seeing fewer and fewer music stores to hang out.

But I still play music because I still have fun with it, just like hearing the results of a finished album.  And so here we are again adding the drum tracks to the numbers and hoping that something will be played on the radio. If the stars align just right, the album will be out by the end of May maybe.