Sunday, 23 January 2022

Stone City-Rock N Roll

Songs

I Rather Not Cry
Good Time Charlie
Sundown
Slippin Away
What Goes On
I Fought The Law
Never Trust A Sleeping Train
Cinnamon Girl
It Hurts Me Too 

With
Danny Trumm, William Schlettler, Rick Wingle and Dave Bonham.




I took the songbook with me and drove  a bit more deeper into the songs that I don't usually do.  It was another cold January afternoon, and hardly anybody came to play.  I had to leave after my songs to go see my mom.    It is kinda tough not to hang to do more songs, but till my mom gets better, she is my own priority.

We're supposed to get hit once again by yet another polar express, another five below day awaits us on Tuesday.  For a birthday present, this is not needed.  Old Man Winter can shove it up his ass sideways.

A year into being 60 and I find that this year was the hardest to get through and turning 61, it doesn't look any much better either.  I've been known to be a person who is set in his ways but awfully clueless when life throws its worst on me.  I've had COVID for a couple weeks and got over it, watching my mom fall deeper in the Demetria and hating every moment of it and seeing my dad having breathing problems as he tries to get over that too.  My brother is the glue holding the family together. I'm there to watch the house at night, washing the old man's duds, whereas my brother chaffers Dad to the doctor's and to work.  I hope it doesn't get to the point that things deteriorate.  Picking and choosing my jams while working around visits to Sliver Oak Assisted Living and trying to appease the old man bas been a very depressing sort of state.    Shoulder pain and now kidney issues have not helped along with the depression and self doubt.  The music is fun but anything else in life has not.  Hell I cannot enjoy a dinner with Dad without spilling a fucking drink  all over him.  

Nothing is helping. Cold weather, snow, dealing with idiots on the road, red lights, dumbasses going the wrong way down the highway.  It's frustrating.  I can only try my best.  Some folks have it worse.  In this life, being clueless and indecisive does not help.  

Not at all.   



Saturday, 22 January 2022

Archives-Paraphernalia Live In The Studio 1982

When Russ and I started our little band in 1980, we couldn't play worth shit.  I just got my first real drum set.  an Zickos five piece clear drum set and spent most of that time collecting cheap cymbals in order to look like a real drumset.  There were two Zym Cymbals, an English made that had a nice ride sound to it but the other if you hit it too hard, it would bend.  It turned out to be a china like cymbal.  

The first session, Darren Johnson played guitar.  But it was mostly me and Russ trying to add our spin to Same Ole Song And Dance and Godzilla.

One year later, after learning on my own without lessons I managed to get better.  Doug Spinler and I jammed with his dad.  And when when Russ came back from leave we got together with Doug Bonesteel and Mike Swearingen.  Mike being the de facto leader and one we leaned heavily on for musical guidance.   A 1981 recording session we recorded Come Together and Rock Me Baby.

In late 1981.  The band was me, Russ, Mike, Doug B and Dewayne Schminkey and I managed to convince my dad to record our little EP making album on Jan 28, 1982.

The songs at hand.

Rock Me Baby
Take It On The Run
Lovin Touchin Squeezin
Heavy Medication (D. Schminkey solo song) 
Highway To Hell
Rocky Mountain Way (2 versions)








Personnel:

Mike Swearingen-vocals
Doug Bonesteel-Electric guitar
DeWayne Schminkey-Acoustic 12 String
Russ Swearingen-Bass
R. Smith-Drums 




The sessions were quite exciting,  I think I played more cymbals than drums.  I don't think it was actual drum playing but rather bashing the hell out of them due to being frustrated.  The second version of Rocky Mountain Way was used.

With this new and exciting sound, Paraphernalia became part of the Iowa music scene, tho we only did one gig, opening up for one of Mike's regular bands.   But it was our music and our way of doing things that makes this session somewhat special.  Due to time restrictions and Russ needed to get back to the Marine Corp two days later, there would be no more recordings.  Of course that didn't stop me from putting all the music that we did before in other sessions and solo stuff called Turn Off The Picture You're Disturbing The Sound.   These songs were known as the Live at 9 EP.    Rock Me Baby would be issued as a second single later on.

Eventually, we got better.  In 1982 without Russ, we became the Open Highway Band, with Dennis Lancaster drafted as harmonica and guitar player.  We did play the Pink Elephant in 1983 with Russ playing bass.  I remembered we tried out a bass player but he was looking for a band that was playing regularly.  We never did find that replacement.

A year later, Russ returned and Paraphernalia struggled to hang together.  By then, Doug Bonesteel and Dewayne Schminkey were no longer part of the band and Dennis Lancaster was full time guitar player. Will Sigsbee and Shawn Ster became guest guitar players at various gigs.  The December 7, 1984 OK Lounge gig would be our last.

In theory, the 1982 Live In The Studio session is really, our starting point. 

Technical stuff:

Cymbals: Zildjian A's

13 inch Quick Beat hi hats
16 inch Rock Crash
16 inch Thin Crash
16 inch Medium Thin Crash
18 inch Crash Ride
20 inch Rock Ride
20 inch Pang Sizzle

I'm surprised that these cymbals didn't crack under the constant bashing, especially the 16 inch crashes. The rock crash was rarely used outside of this recording and later on 4 of these cymbals were sold to a devious chump who only paid half of the 300 dollars  that was sold to him.  Even while winning a small claims court victory, the devious chump never paid for them.  I never quite forgave Mike on losing my cymbals on the honor system.

I think that these cymbals that I did buy gave me the ultimate sound and probably best cymbal lineup, up till I got the K's later in life.  They did sound great on the recording, they must have since I have played them more than the actual drums themselves.  For some reason I had the rock ride leveled with the bass tom, and the pang cymbal about 8 feet high (don't ask why).  It seemed like a good idea at the time to have the cymbals about five feet up, nowadays, my cymbals are about an inch or two higher than the 1982 set up.  At that time Ludwig's Hercules cymbal stands were the best, but the plastic that adjusted the cymbals would break off and if not tighten, the cymbal would fall to the side (as shown on Ratt's Round n Round video).  I later got a Yamaha stand to put the pang cymbal upside down but for a china, it was more of a washy and not a total china crash.  The sizzle sustain was the longest sizzler sound cymbal that I ever had.  Oh, I loved that cymbal but Russ absolutely hated it.   That cymbal remained a part of my lineup till 1987 when I foolishly traded it in along with the Quik Beats and Rock Crash to get a 20 inch Impulse Ride.  To which the folk at Phoenix Drums took great delight in ripping off an out of towner who was trying to update his sound.  And never realizing, he had the right sound of cymbals in the first place.  



Thursday, 20 January 2022

Whisky Jo's-Four Below And Falling

Songs played

Everybody's Talking
Behind Blue Eyes
Fox On The Run
All Along The Watchtower
Light My Fire
Never Trust A Sleeping Train
Cinnamon Girl

Julie Gordon-Percussion on the last three songs

With
Dee Vieman
Rick Wengle
Dave Bonham




In the dead of winter, nobody likes to venture out in below zero temps.  I have had other gigs that the temp was so damn cold nobody showed up.  Three years ago, Dreams Of Arcadia opened for Four Day Creep and nobody showed up for that either.  Buddy Holly had his life ended during a clipper and blizzard.  

I figured Julie and Dave would need some sort of support, so I borrowed Dave's guitar and slugged through seven songs of note.  Julie played the cajole on the last three songs.    Dee was surprised that I did play guitar since she's known me strictly as a drummer. 

It was cold, another artic front gone through another day of below zero temps.  It sucks.  But what sucks even more was driving home and having to deal with the more than usual red lights, semis, stupid drivers and another wrong way driver going down on highway 30 and almost going head on into a semi.  The mentality of some of these idiot drivers are a joke.

The Artisan had Patrick Ticklenburg, John Weldon and Eric Paul playing for a benefit.  Not sure of who showed up but I think they had least 10 people in attendance.   These are tough times for the performer and bars and places to play at.  I do think the Artisan is hurting for donations now.  And another place we played at, the check bounced.   With my situation with Mom and Dad I haven't really been that inspired to play all that much.   Whatever the case may be, week after next, I need to get back to work on a regular basis.  A elderly care helper is very hard work.

Wednesday, 12 January 2022

Whisky Jo-With Mr Shaw

Songs Include

I Love You Too Much
Can't Get Enough
Peaceful Easy Feeling
Long Train Running
Proud Mary
Folsom Prison Blues
Dreams
Pancho And Lefty
Comfortably Numb

Terry McDowell-Host
John Shaw-Guitar and Vocal, 1-6
Dee Vieman-Lead Vocals 5-8
Tommy Bruner-Lead Guitar
Billy Bourbon-Bass
Nick Lnenicka-Harmonica
R.Smith-Drums
Ian Jacoby-Guest vocalist on Comfortably Numb


(Tommy and John)

It has been noted that John Shaw has been coming to the Whisky Jo's jam of the past couple weeks.  Although our relationship is pretentious due to his right wing views, I wouldn't never say no to him.
I really could do without another Can't Get Enough version but at least he's plays it okay. 

It was Dee Vieman's birthday so she got to sing a few songs of note.  Most curious is playing Pancho And Lefty for the second straight night and in a different arrangement.   Ian Jacoby from Four Day Creep came up to help sing Comfortably Numb with Dee.  Tommy did a wonderful lead out at the end and and gave me a wink and a smile after that one.  

A decent crowd was there,  Kimberly sang before I got there and there were two new drummers that played before me, one of them gave me a headache.  

John may have sang one more song before Dee joined up.  Bad Company was attempted but never got off the ground, so we went with the Tina Turner version of Proud Mary.   I'm still dealing with the family health issues of my parents but music can be a healer.  

That's what its supposed to be. 

Tuesday, 11 January 2022

Artisan-1/11/22

Fire And Rain
Cash On The Barrelhead 
Fire On The Mountain
Love Potion Number 9
Poncho And Lefty

Bill Schettler-Lead vocal and guitar
Dave  Bonham-Lead Guitar
Freddy Jones-Harmonica
R.Smith-Percussion
Brett Johnson-Played harmonica on one song




For the past two weeks, family health issues have come into play.  With my mom suffering from Demetria and Dad having breathing problems I haven't been able to focus on the music.  After visiting both of them I had some time to go check out the Artisan open mic, tho I didn't play guitar.  There was a full scale of people play and I managed to back Bill up with percussion, namely drumming on a box. There might have been one more song Bill played but I think these were the ones that he did do.  

Mike McMeins did leave his drums up there but with no snare or cymbals, I used a box to maintain the beat and a tambourine for a hit hat.  The cowbell trick didn't work.  But for the most part, Bill usually plays mellow and slow tempo songs.  But with a full crew of jammers there, after his set was done it was 9 35.  I passed on playing guitar tonight.  


Saturday, 8 January 2022

Blues Rox At The Bohemian

 I had reservations about this gig, since I haven't played alongside these guys, never mind that I had a flu shot and Covid Booster to boot.  So I was dead tired when we got in to play on a chilly and freezing night. We didn't need the freaking drizzle shit.  With the write up that we got when The Bohemian announced us playing, we had to rise above the chaos that was the bizarre Checker's gig and the Artisan with Mike playing drums in my absence.  At least play the songs that won't get us into trouble. 




While other bands had issues, Blues Rox didn't.  Owner Mike Richards treated us with respect.  The guys had to set up on the floor, the stage was way too small, even for my drums I had to employ half the set and a couple cymbals to boot..  I didn't set the bass drum legs, and it moved most of the songs and the gig.  Plus there was a vent that went down to the basement and another room,  I damn near dropped a drum stick between the rails, thankfully it didn't fall through.




My biggest complaint about my so called musician friends is how many bitch and whine that nobody goes to their shows, or they promise that they'll be at yours and never show up.  It's a Saturday Night and of course there are bands playing down the road and elsewhere and I know people had to pick and choose, plus the weather never helps either in the winter.  It's either a snowstorm or blizzard or freezing drizzle or rain or below zero.  One was complaining that there was no bands playing (I guess he doesn't bother to read my updates, while feeling for himself) but did pop in at North Port to see Past Curfew. Fair-weather friends, got plenty of them.   Only Julie and Guitar Dave managed to show up and Julie took plenty of pictures.   Mike Richards also took a few videos to document.   He might have taken this one photo.




We were surprisingly good tonight. There were a few lapses on songs. but despite me trying to get over the shots of Friday at Unity Point, and despite the drum stick almost going down stairs did better than usual.  I haven't practiced all that much.  Having the smallest stage and not big enough to have a full drum set, I had to go with the basics.  One bass drum, one hi hat, snare and two cymbals and cajole for a stool.   The Bohemian is interesting place, the basement has rooms down there and a bar and some private rooms for conversation.  It's an old business place that Mr. Richards has been putting together and originally this was supposed to open in 2020 before the COVID epidemic broke out and messed things up.   I haven't been upstairs, but the basement is super cool.






I don't think any one moment stood out, which is fine.  It was a workmanlike performance, and Kristopher doing some outstanding guitar leads and the blues shuffle went well as well as the tired favorites of Brown Eye Girl or Johnny B Goode.  We did drop Stuck In The Middle for Further Up The Road before concluding with Free Bird, probably the best version of that song that we did.  We still cannot get people to dance to that. 




It was a 2 hour event, so breaks were taken.  We did not do Wipe Out.  My decision.

There were some issues about payment but we all did get our money for playing.  I'm not sure if we will be back there but if we do play, we will be playing upstairs outdoors in the patio area.  By then I can find all of my drums into one space.  The stage inside is for acoustic people only. 



Thursday, 30 December 2021

Christmas and the year in review.

Happy holidays.  It's another brown Christmas, temps are in the mid 40s and it's a nice day.  To which at this time of year, I go back and take a look at the year, both good and bad. 




2021 turned out to be more trying year than 2020.  The Waubeek and Whittier Jams are a thing of the past and probably not coming back for next year or for that matter the Parlor City Blues Jam.  There are still some neat jams and open mics in town but the ones on weeknights have suffered.  Whisky Jo's and Checkers are the two main ones, The Artisan still has the twice monthly open mics and the Quad Cities have plenty if I want to drive there, or Des Moines, or Dubuque.   I made one trip to the Smokestack to check out and of the course the Black Friday Jam at the Eagles' Club that had bad sounding drums and I ended up getting Covid two days later.  While it was considered mild, I still slept most of the first two weeks away in December and couldn't stop the hacking/coughing.  It was the worst that I felt since 2018 when I had to cancel two jam tributes that year.  Spring and fall processing and I packed the guitar away for long stretches   The jams opened up this March with Stone City and Checkers started up the acoustic open mics, Checker's moved theirs to Thursday.  Despite the return of Hart/Parker, the participants dwindled down to a select few.  Kat Blue tapped me to help her out in August and it turned out to be a lot of fun but it also came with reservations, namely from my other half who accused me of hanging with the enemy.  Granted,  the hosts of the jams would not come out and support the other acts by showing up.  Kat did have a few more jammers than Julie and Dave did this month.  In Kat's defense, she does enjoy me being a part of her jams and band fill in when needed.  And she's always made good on her end of the deal.   The jam with Julie And Dave would turn out to be the last one at Checkers for a while.  Thankfully, I got there to play it. 




 I had no time for The Townedgers' projects and Geoff Redding out the door. Robbie Prescott replaces him and whenever we will get around to do another album remains to be seen. The Acoustic Adventures did come around once in a while, tho I favored the Rumors Sunday Funday Jam and me and Terry McDowell have been getting along quite good. For six years, he has done a great job keeping the Rumors jam alive and well.  The core band of Billy Bourbon, Tommy Bruner, Tim Canfield and sometimes Jeffrey Taylor have been the prime players and I enjoy the time jamming with them.  Of course the usual criticisms will come up, (too fast, too loud etc etc), most of time I'll find my way back to their groove, they prefer a simple beat and not too many drum fills, but sometimes I get annoyed enough to roll my eyes and pencil in more Acoustic Adventure appearances at Stone City.  I have not made it to Dharma's for their Sunday Acoustic Jam, I always had some issues with Billylee Janey in the past and Troy Mills is about halfway to Waterloo and takes me off the route to CR and Rumors after playing Stone City.  Sean Ryan has moved the Monday jam in Moline, but I didn't make it to any of those jams, I spent more time watching the Quad Cities River Bandits play and win the Championship this year.  But then I stuck up a friendship with Bryan West of Avey Grouws Band and promised him that when he host a jam down there, I bring a guitar and play and he can back me up on drums.  He's very good and one of the nicest dudes I ever met.  More about Avey Grouws later.




Contrary to rumor I still have not got any groupies or one night stands, not that it matters much, being 60 and no longer a looker, I managed to keep away from temptation.  Cynthia Mahoney is now long gone, I haven't seen her since she walked out during a Artisan performance and we all for the better of it.  Although, she popped up to post something to that she misses hearing us.  The feeling isn't mutual  




The Artisan moving from Marion to Cedar Rapids was one off the biggest stories of the year.  We went from a small, cramped but cozy place to a much bigger place and larger stage.  I do miss the days of going to Marion, tho not so much of trying to find a parking spot when they had the Thursday Bands on the Square   Adding Mike McMeins to the sound guys along with Patrick Lower made me sound better than usual.  Not my vocals are up to par with the pros but it does okay.

Another big story was COVID showing up in November and the jams begin to disappear.  Taz Grant and Kevin Sinmacher lost their battle to COVID and I ended up getting that shit after the infamous Black Friday Jam.  I only played once alongside Taz, but Kevin was there from the beginning adding shots to me to be part of the music scene.  Gregdon Cole also passed away but from cancer.  He is missed greatly as well. 




The year of Blues Rox was more uneven than 2020.  In our second year it still remains a father/son duo with a hired rhythm section and the bass player became Russ, my best friend and co hort of Paraphernalia/Tyrus years ago.  It's nice to have a bass player to help out, to hopefully fill out our sound.  But this year, the lack of practice and the lack of wanting to step out that comfort zone has turned this band into a family event for the Bries and the performances suffered greatly.  The best moments came from Chris Avey sitting in our set in October at Checkers Jam with the Mandela Band and Avey Grouws Band, but the next month without Avey, we sounded like crap.  The Jones Country show on the Free Stage had moments of greatness too but I had to compete with Kane Brown's shitty loud beats overpowering our band while they were at rehearsal.   Somehow we passed the audition to come back next year.   Kris did show up for a Whisky Jo's jam, but nobody waited on him and he hasn't been back since.  Chris Avey really did get him to play his absolute best.  A shame that the Parlor City Blues Jam had to end.  Kris had Craig Erickson, Daddy O and Dan Johnson help him solidify his chops.    This month's Artisan I had to bow out, but Mike McMeins filled in nicely. There were some wrong headed moments, especially the worst idea of taking Keep Your Hands To Yourself into a crapola blues shuffle that didn't work, that was at the JA Tap, and we haven't been back there since that episode.  Another one and done was the Wasserbaum Water Park in Williamsburg to which the sound guy worked on the getting the drum sound right for 20 minutes, and then having five people all total to come see us play.  But at least a free night stay at the hotel and getting paid 100 dollars was worth it.  In the end, we regressed more than progressed and showing up to play in front of 10 people tends to take the fun out of this.  It's nothing more than a gloried practice, to which at times we did get paid.  I don't think Kris is that interested of playing, since he's been taking night shift jobs.  Blues Rox has one more gig coming up in January.  I think it will be our last. 




If there was one thing that went right, was that Russ Swearingen and I started playing again together. As for any more Paraphernalia Tyrus shows, not going to happen, DeWayne and Dennis have retired, and Mike continues to rag about his ex wife.  40 years ago, Paraphernalia was recording and we were trying to get better but we never did find the right combination of musicians or songs to make it work.  As I sit back and listen to our recordings of 1981-82, it appears that my dad was right, I was bashing the cymbals way too many times.  But being a angry young kid that didn't know shit, I took my frustrations out on my drums and cymbals.  And still wouldn't get laid till a dozen years later on.   Mike was a damn good singer but with our songs, he blew his voice out.  Too bad our main guitar player Doug knew how to turn his amp up to 11.  As they say, the louder you are, the more you suck.  




I was flattered and honored to help out Kimberly with the No Limits Band after the Blues Rox Wasserbaum gig.  Kimberly hasn't had the best of luck, with most of her band dropping her after Fred Stock, but No Limits had Craig Erickson and Stacia Roccio helping out and tho we never did get to practice, we seemed to be more in tow than Blues Rox was.  I'm sure 2022 will find me and Kimberly working together off and on.  But again, I will have to fill in if she can't find anybody.  Contrary to what people think, Kimberly and me have a musical relationship and nothing more.  




The year with Julie started out great, she made my 60th year on Earth fun and for her birthday in April, I took her to Dubuque.  Then the kayaking incident in July and it hasn't been the same since.  We're still trying to understand each other and tolerate each other's quirks, but outside of playing harmonica in a couple of open mics, we never got around doing much else on stage.  Most of the time she is part of Guitar Dave duo and it works better for her than my set of songs.   2022 may find us either drifting apart or coming back together again.  Life would be so much fun if Kyle was still alive, and she'd be much happier.  The jury is still out on me. 




The Cabin Jam this summer I had to deal with adversity between warring people and I doubt if I'll go back there for next year.  I love Donna Jo and Bill Elsner and thank them for their dedication to the cause.  It's a nice cabin, we didn't have to deal with mosquitoes or humid temps, it was a one in a million day.  And I got to once again play drums for Pinicon Drift again, Dave Petersen is one of my fave people to play on stage.  Also at the old Bar outside of Monticello,  Terry McCauley and I got to jam together and he made me work for playing that snare.  I'd love to go see him play and perhaps bring the drums again. 

30 years ago, Greg Nutter got me back into playing music again and inspired me to make Diamonds In The Skies, a 1991 album that showed once I worked a four track right, the songs would be much better. The vocals are still in that odd goth sounding tenor, but there's no doubt the songs were strong.  It's a shame that Melissa never heard Sweet Melissa or Christine on Still Strangers but when I think about the time we were going steady,  I blew her off when she was ready to rock.   I was in the wrong, but at that time I wasn't ready to accomply her on the bed sheet rhumba.  But then again, she was a Gemini and that's the worst sign for me, despite what the stars say.  They been nothing but trouble. Isabella was Gemini too.  For 2022, I plan to cover some of the songs off that album to play live.  2022 will be the 30th Anniversary of Drive In Blues as well.  I think I have a few songs I can play off that album too.





Here's the gang that was part of my musical adventures of 2021 

Freddy Jones, Kristopher Bries, Brian Bries, Russ Swearingen, Billy Bourbon, Tim Canfield, Tommy Bruner, Terry McDowell, Dave Bonham, Bill Schettler, Rick Wingle, Nick Lnenicka, Bob Gleason, Tom Berdo, Mike Fredericks, Phil Koening (Phil Bo King), Kimberly Kirzan aka Kat Blue, Donna Jo Elsner, Tammy Wildcat, Steve Black Wolf, Greg and Brenda Mein, Chris Avey, Bryan West, Maurice  Anholt, Dee Vieman, Jeffrey Taylor, Richard Edward Butler, Russ Gracklin, Brett Johnson, Skeeter Louis, Wes, Barbara Finestrom, Jasper Hovenstot, Mark Awad, Ronnie Boles, Carl Meiners, Cathy Hart, Dan Hartman, Al Hendricks, Frank Gasler, Randy Faulkner, Tanya English, Ed English, Dakota McWhortor, Chuck Savage, Corey Baker, Bill Hoag, Jan Hoag, Jim Meyers, Bob Miller, Jeff Allen, Virginia Harlow, Demetrius Harris, Patrick Ticklenburg, Mike Rolen, Eric Paul,  Michael McMeins, Nate Hines, Amanda Marshall, Eddie Jarrell, Michael Clair, David Pedersen and Pinicon Drift, Karl Hudson, Jeff Overly, Craig Erickson, Stacia Roccio, Layne Goldsberry, Perry from Iowa City, Lou Roccio, John Stephenson, Braden Carden, Adam Montgomery, Eric Paul, Blues Boy Billy, Ernest Bynum, Brian "Taz" Grant, Matt Panek,  Mike Zhone, Jeff Craft, Rocky Burmeister, Billy Ginkens, Gary Darling, Dan Johnson, Jamie Allen Vance, Tara Primasing, Jeff Reeder, Brian Laudio, Roger Adams, Tim Kauffman, David Lee Kirksey, Lorie Parker, Terry McCauley, Guy Peterson, Mark Johnson and Marijane Euchner.




I am surprised to see 97 folks share the stage with me.  Some are hall of famers, some are rock and roller, blues, bluegrass, country, some are just starting out and even Jasper is three years old, the oldest is probably Al.   Randy Faulkner is one of the surprises, he did backing vocals for a song Al played but he doesn't play drums anymore. There are legends to boot and somewhere I fit way in the back but still proud to be a part of this.




There are highlights to boot.  Backing up Al Hendricks on his birthday bash, watching Kristopher go into the stratosphere with his blues songs and then see Chris Avey push the envelope much more on his guest spot at Checkers in October.  Having Russ play alongside me.  Having Freddy Jones and Phil Bo help me out on the blues that I play and sing.  Seeing Brook Hoover waving and yelling from the top of the Bohemian on a hot July Afternoon.  Helping out Terry McCauley on the Barn Jam.    And the rare pairing of Steve Black Wolf at the Cabin Jam,  Steve doesn't go out all that much due to his health but it's a treat to see him.  I don't think all the Blues Rox shows were wasted efforts, in fact we did quite well during Fred Stock and Chris Avey really was the best we did.   In due time, it's best to remember the good and forgo the bad.  Everybody, every band has that too.  The Good and the bad, the happy and sad.   Will this all be remembered come 2061?  By then most of us will be dead and the young will be in their forties.   




Every year, there's this premonition that this could be my last year of playing.  Hell, I have been saying that every day and then pony up for another trip around the sun.    I think 2022 will be a different year.   I do hope that things will be better and everybody will be around but people will retire, people will die, some will get fed up and quit playing and go back to waste the rest of their years watching TV.  I don't plan to be that person. 




I hope to continue to enjoy playing drums and backing people up when the case may be. I don't expect to get rich on my musical adventures, once in a while I'll get a 100 here and a twenty there and appreciate the kindness of strangers.  I hope Julie will still be around but I also hope she will find that happiness that she is looking for, I hope my parents will still be around as well, I hope my mom can return to her fun and usual self.  It's heartbreaking to see somebody you love fall into the despair of Demetria.  And I don't wish that on anybody, or with Covid.   I also hope to get back into playing more guitar and getting back to singing my songs like I once did.   I think that's my option, since I continue to battle those who continue to complain about my loud and fast paced playing.  Believe me, I haven't played fast and loud in a while.   I hope Waubeek and Whittier can continue the jams like they once did but I don't foresee that.  Nor Parlor City for that matter.  But while one jam place ends, another will come around and pick up what was left behind.   Life will go on, and music will go on. But I cannot my life without my mom around.  She's has been supportive of my music going ways and she suffered many a day with me pounding on drums and playing guitar.  Forever indebted to her and forever loved. Love your parents. One day they will not be around.