Wednesday 30 December 2020

End Of Year Thoughts From The Townedger

This year was supposed to be the five year celebration of being part of the Cedar Rapids music scene. But we had two events that pretty much rendered this year a forgettable one.  One was the COVID crisis that shut the bars down in March, which ended the Waubeek and Whittier Jams.  The other was the August shitstorm that destroyed houses, down trees and rearranged everything in this town.  I'd say that the August Shitstorm was the end all.   It shut down the Cabin Jam on the Wapsi.




We did have the jams going at Rumors for a time, and Stone City had the open mic outside till November. The Artisan Open Mic has been continuing on and I've been supporting that, as well as the Pub 1848 open mic in Moline, till the Governor shut that down.  On a plus side, I got to play in front of a supportive audience and it was great meeting hanging with Sean Ryan from the Dawn.  Sean is the one with the glasses, on the bottom is Michael Brock, percussionist extraordinaire.





Through the year, I managed to stay in Blues Rox as we struggled along to find places to play during the COVID crisis, but the cancellation of the Blues Festivals and no Parlor City Blues Jam made us a bit stale over the year, with Brian racing cars on Friday Nights (before that got shut down) and Kris taking up bowling.  But we did managed to score some gigs at the Glass Tap in Monticello and J A Tap in North Liberty, tho the crowds were non existent.   With the arrival of Russ Swearingen, my best friend and part of the Paraphernalia era, we now find ourselves playing together since the OK Lounge 1984 Tyrus farewell.  Blues Rox will continue to be the main source of interest, and time will tell if Russ will hang around in the long run.  I somewhat knew we would share the stage again.  I hope that Blues Rox will get to play more in the summertime.  Kris Bries is the future of the blues in this area if he keeps to it.




The polarization of Pro Trump and anti Trump forces has put a damper on the CR music scene.  And this town has plenty of the former.  I have found myself playing in bands and musicians that thought that Trump was the real deal and helping everybody out.   Thankfully, the music spoke for itself and we kept our political views to ourselves.  To which I managed to play one gig with Boy Scout Hippies on a hot and steamy 4th of July during the COVID pandemic and managed to stay healthy.  Perhaps I could have been a bigger part of that band, but the head Boy Scout tends to have sole procession of  the players   I'll give him credit, he paid me fair and treated me nice in my tenure.   I could fill in again in 2021 but I'm not holding my breath if I do.  Kinda like Ryan Paul and Dreams Of Acadia, now on permanent hold. 




This summer, I discussed helping Kimberly Trevellion out in her quest to be a top notch band.  There was supposed to be a chance to play in a band with Stacia Roccia but a conflict of interest popped up and I opted out.  I guess that band has splintered to nothing and she's looking for some dedicated folk to help her out.   I love playing alongside her, be it the acoustic adventures or the Blues Jam that happened in September on drums.   She's a lot like the Head Boy Scout Hippie, the spotlight is on her and that's all right.  But I tend to prefer my bandmates to be more open minded and giving.  The Townedgers are one and the same, I don't place anybody above or behind me.  Kimberly is looking for a band that will fit her needs on stage.  She's free to help me on the acoustic adventures in the future.

Cyndi Mahoney, I have mixed feelings on her.  She was a distraction and during the summer of 2020 showed up at various jams and open mics and Blues Rox gigs. I gave her part of my record collection. However she got way too close in my private affairs, and things finally came to explosive end which started on the Stone City showcase with Kimberly, and tho Cyndi attended the Blues Jam at the Sanctuary (a shame nobody got a picture of her) she said the wrong thing afterwards, to which the book was closed.  She had hopes of singing once again.  Maybe somebody help her try to live that dream. She blew her chance with me. 


(Guitar Dave And JJ) 

Cyndi did managed to bring me and Julie closer together. While Jules n me have yet to work on us being a duo together on stage, (thanks to me) she did reunite with Dave Bonham for playing live again.  I still would like to get Jules to sing more darker material (Linda and Richard Thompson, hint hint) or have her sing with a rock and roll band again.  2021 will find Jules and me working toward that lineup of dark and forbidden songs.  I think she would rather have me sing the blues.   Julie went through another rough year, to which I worked on getting a replacement for her guitar that she lost in the fire last December.  She has come a long way since then.  And besides, she earned that guitar.




When I got back on stage for the first time at a jam, it was Guitar Dave and T Ray Robertson that greeted me. I think things happen for a reason, while T Ray ended up losing his life to cancer, Dave has been a part of my musical five year journey.  It's a shame T Ray didn't get a good send off at the tribute jam that was for him this August, COVID took care of that, the CR music scene did lose a good guy in T Ray.  T Ray got me inspired to seek out that Montgomery Gentry song Hillbilly Shoes to play at a future jam.  A shame we got around to play it together.




I didn't know Tommy Patterson but for that one time in March, that I became his music partner for the final set that night.  Then to find out he passed sometime in the night later.  Death is always has and will be a part of the music scene and life itself.  Losing Irene Leeson, my biggest supporter at a time I couldn't play shit was a wake up call.  I remember nights Irene would come over and sing along to records with my dad in around 1975.   It's a shame I didn't know how to play music back then, they could have played with a real band instead of scratchy records. I had a big beer can collection (still do, but in boxes) and Orbit beer can was the one Irene bought me.  Which she will be remembered for.




Jim Jacobmeyer....without his help, the Acoustic Adventures would not happen.  Like Julie, he's done more for me than I do for myself about playing, and I hope 2021 I can break myself from the computer to be more of a presence up there for open mic night and a weekend solo performance to yet I am still trying to psych myself up too.  As always, Freddy Jones, always makes me sound great when he plays harp to the songs that I play.




The Hope is to once again see the jams return in 2021, tho I think it will be at least April for Maki Dervo to even consider doing the Waubeek Jam.  Things are still uncertain, David Lam may have pulled the plug on Whittier.  Rumors might start up again in January.  I have done more playing drums this past couple years than I ever did during the Paraphernalia Tyrus years.  As long as I'm able to keep my interest in playing, I'm sure 2021 will be busy once again.  In fact, I already missed out on subbing on drums for a local Southern Rock band on New Year's Day.    That's what I get for sleeping in late.





The highlight was the Blues Jam at the Sanctuary, even with Cyndi up there and in the way, we all had a great time.  The second big highlight was having Russ once again playing bass alongside me, just like we did 40 years ago while trying to learn how to play Same Old Song And Dance.  We got better at it years later.  Throughout the years, I wondered if we could ever have that chance of playing together again and the stars aligned just right and Brian and Kris hired Russ on to be part of Blues Rox.   Paraphernalia/Tyrus may never get together again (Dennis prefers flying and AZ nights, Mike is retired, DeWayne is retired and happy being a grandpa) but Russ has always been the connection between the days of Godzilla to Blues Rox.  He's more important than he knows.




And now, the ones that I shared the stage with last year.  Thanks to them all, they made music fun.
Kris Bries, Brian Bries, Russ Swearingen, Julie Gordon, Dave Bonham, Tommy Patterson, Randy Burghdorff, Bob Gleason, Brenda and Greg Mein, Belinda James, Phil Koening, Morris, Terry McDowell, Sir Bob Miller, D J Hovenstot, Ronald LeFleur, Tommy Bruner, Michael (Bear) Clair, Nate Hines, Dan Johnson, Gary Darling, Mike Williams, Bonnie Harrison, Maki Dervo, Bill Schlatter, Steve Black Wolf, Virgina Harlow, Eric Douglas, Skeeter Louis, Jeff Craft, Rick Trumm, Lenny Drake, Chuck Savage, Nelson Borden, Katy Merrifield, Steve Thereault, Danny Trumm, Freddy Jones, Captain Kirksey, Kevin, Tristin Gray, Craig Erickson, Tommy Giblin, Jon Wilson, Nick Lnenicka, Al Hendrix, Mike Fredericks, Billy Bourbon,  Ed Butler, Doc Rudolph, Rob Merkel, David Lam, Kimberly, Trevellion, Dougie Kouviak, Mark Awad, Joe Hutchcroft, Jay Devore, Jessie Scott Hacker, Geoff Redding, Robert Knowles, Dakota McWhortor, Jeremiah Murphy, Mike Lint, Pat Giesland, Donna Jo Eisner, Lorie Parker, Ted Reily, Layne Goldsberry, Colton Thompson, Marijane Euchner, Rich Toomsen, Jess Toomsen, Shawn Ster, Rick Gallo, Cathy Hart, Brad Zimmerman, Dan Hartman, Carl Meiners, Richard Budde, Eli Snow and Dee Vieman.   Even for a COVID shortened season, I managed to jam with at least 82 people would could sing and play.  

Cali Blake gave birth to a girl on December 23,2020 Charlee Jean Blake.  All the best to Mommy and C.J.

Happy new year.  Let's hope 2021 with be a better year for all of us.



Monday 28 December 2020

Blues Rox 2020 Summary.

 Blues Rox - 2020 Year in Review.




We actually did more gigs than I thought as I reviewed everywhere we played at this past year.  We started the  year off as a 3-piece band with Kris, Rodney, and Brian, and finished the year adding Russ Swearingen on bass to complete the group.

Our first gig was at a new bar/live music place in downtown Monticello called Glass Tap on January 19th.  Not long after this event, the state decided to shut down many businesses due to the Covid pandemic, which led us to return to Glass tap for a second event apted named Quaratine Sessions which was an online only event featuring a how-to for some mixed drinks as well as a set from the guys.

On April 25th, we held our first of 3 outdoor, garage sessions in Norway which helped bring out the neighbors, family, and local townspeople to enjoy some socially distanced music.

I then received news on May 7th that my inspiration for music passed away at the age of 66, former Bad Company lead singer, Brian Howe.

In mid-July we ran through our music outside behind Prairie Creek Saloon as a thank you to Dawn and her staff, who is a strong supporter of our band, and to help bring in additional business due to Covid.

Our next event was held at a new to us venue on July 31st as we played at the famous J & A Tap in North Liberty. Thank you to John and his staff as we look forward to returning sometime in 2021.

We then participated in the outdoor Blues Jam held in the outdoor stage behind the Artisan's Sanctuary on September 26th.  We look forward to this upcoming year for Blues Rox to do a show there when the weather turns nicer.

Our next event we introduced our newest member, Russ, as we held a practice session at Checkers Tavern prior to our final event of 2020.

Our final event was held at another new to us venue, on December 26th @ Cedar Ridge Winery and Distillery.  We hope to return again in 2021 in the spring or summer months.

Thanks to all who have supported us this past year and here's to hoping for some semblance of normalcy for the local bar and entertainment industry.

Brian Bries-Blues Rox

Sunday 27 December 2020

Blues Rox at Cedar Ridge

 A surprise gig at Cedar Ridge and we had a decent crowd even for COVID issues. 

The usual Spinal Tap bullshit.  Tried using a dolly to move the cymbal stands only to have them fall out, not once but three time and I lost part of my hi hat which really set me off. 

The lack of practice has been noted.  Tho once again, we did well on the blues songs, the classic rock numbers were ragged.  I wish Brian would remember when to come in on Feel Like Making Love or Free Bird and even Can't Get Enough was missed.  Russ thought that Blue On Black was fairly slow paced, but to me it went with the live version.  For a short version of Free Bird, that was extended to around 8 minutes, but Voodoo Chile went for only five minutes since we went over time and Kris lost his vocals and lost interest toward the end.   I think we went over the 7 oclock by about 10 minutes but we were all packed up and out of the place before 8.  Maybe sooner if I didn't have the hi hat malfunction and other spinal tap bullshit that is so common with my band adventures.

The Acoustics of Cedar Ridge was wonderful.  The drums sounded quite well in the cavernous reception room.  The drawback was trying to get to the area from the main room.  The unloading area you had to carry the drums for about a 100 yards.   They had dollys that I used in the early part, but the load out, used a plastic roller that the fucking cymbal stands fell off.  I do need to retire the Ludwig Cymbal Boom stand. the fucking piece of shit didn't hold and my ride cymbal fell a couple times.  My life playing music would rival Spinal Tap.

For this, I bought out my 18 inch Session Dark Crash and used the 17 inch K Dark Crash and 16 inch S Trash Crash.  The K Session Crash has been used on the Townedgers recordings, the 17 inch came from a trade with Rocky Smith and ended up getting a damn dent when the cymbal stand fell and I didn't catch it in time.  Rocky mentioned that it never fit in with his collection when I traded my K Hybrid Crash for his.  The Trash Crash has been used a few times with The Boy Scout Hippies and for a budget line priced Zildjian cymbal, it really holds up well with the K's.  I tend to think that the S crashes do sound somewhat like the Paiste 2002.  Mike Eastman uses the S cymbals for Palomino Band and Tom Miller had them the last time he played.  I'm not a fan of the ZBT's, which is the low priced Zildjian (or perhaps the ZBT's were tossed in favor of the Zildjian I's or maybe renamed Planet Z, which are bottom line and a step up from Cambers).  I don't think I'd be a fan of the I's or Planet Z but if I was starting out, the S series would have been perfect as I worked my way up to the A's or K's. 

For hi hat's I did a mismatch, using the K 14 inch dark crash over the imported 13 inch K splash that has been in my collection since 1984. This would have been the perfect chance to play the dry hats that I bought earlier in the month. I think I subbed one of the quick beat cymbals for the 14 inch dark crash and it sounded okay. 

We played well enough to get a few tips.  Still rough around the edges. But for improvision we did a lot better than we did for the Checker's practice. 



Friday 25 December 2020

The Townedgers 2020 Album

The Townedgers (the 2020 album)




Songs:

Buckingham Nicks (Smith/Redding/Knowles/Gordon)  5:19
Cheating Songs (A.L.Owens/S.Shafer) 3:20
Willin' (L.George) 2:23
Tomorrow's Girl (Smith/Redding/Knowles) 1:44
Just To Satisfy You  (W.Jennings/D.Bowman)  3:25
Stupid The Dog (Smith/Knowles)  3:30
9 Pound Hammer (M.Travis)  1:30
Knock On The Door (Smith)  2:07

Jeanette (the last go round) (Smith/Redding/Knowles)  4:25
Please Send Me Someone To Love (P.Mayfield)  3:27
Distant Early Morning Light (Smith/Redding)  3:53
Stepping Razor (J. Higgs)  5:20
If You See Her (R.Smith/G.Redding)  4:21
She Belongs To Me (B.Dylan)  2:51
Rainbow In The Dark (Dio/Appice/Campbell/Bain)  3:43
At The Crossroads (D.Sahm)  4:00

Produced By Terry Bainbridge And Rodney Smith for what its worth
Recorded By Terry Bainbridge with Rodney Smith  
Recorded At Hoarder House Of Hits, Fairview IA  April-Nov. 2020
Mixed By The Seat Of Our Pants Incorporated Waspi City IA by The Band.
Mastering: Wapsipinicon Recordings By Sam Goody Taylor

Diggy Kat-A n R

Mr. Smith-Lead Vocals, Guitars and Drums
Mr. Redding: Backing vocals and other guitars
Mr. Knowles-Bass and lead vocals on Stupid The Dog
Mr. Bainbridge-Percussion and Vibrato Slap

Special thanks and much love to Julie Gordon for her help and for the Silvertone Guitar. 

And:  Phil Bo King, Steven Reschow, James Jacobmeyer, Maki Dervo. Dave Bonham, Brooke Hoover,
Blues Rox, Russ Swearingen, Sonya Marie, Rod Albaugh, David Lam, Freddy Jones, Mom n Dad, Brother Rick,Steve Willard and GOD for not striking me down.  And everybody else who helped along the way at various jams and open mics.   Also thank you to The Glass Tap (Monticello), The Artisan Sanctuary (Marion), FB Company (Waubeek) and the Stone City General Stone (guess) for your support and place to play at during these times.

This album is dedicated to the memory of Irene Leeson, who didn't mind listening to my old crappy coffee can recordings of long ago and kept encouraging me to keep at it.  We have come a long way baby.

And to the memory of Tommy Patterson and T Ray Robertson, who was there when I came back in 2015.

R. Smith plays Fender and Guild Guitars, Pearl/DW Drums and Zildjian Cymbals.  Any brand can work wonders but for the past six years  K Zildjian Cymbals have been the signature sound.  Thank you Joe Greene for suggesting I return back to them, whereever he may be. 

(C) 2020  The Townedgers Music Emporium licensed to Maier/Phillips Records.
PMR-32020 



Sunday 6 December 2020

Blues Rox At Checkers-Practice Live




36 years ago, Paraphernalia/Tyrus played the Ok Lounge.  And for the first time in over five years Russ Swearingen was onstage with me.  Along with Brian and Kris Bries, which we haven't played since the Blues Jam in September.

I wasn't in the best of moods when I got there and found that nobody had arrived.  And then for most of the set I had to deal with a fucking moving kick drum.  And then had to deal with the usual playing too loud complaints and continuing to alter my drums so I can feel comfortable playing them.

I think Russ did very well considering that he didn't know the set list and we were basically trying to get the feel of things.  The Tinnitus issue is also bothering me.

We did quite well on Ready For Love and Russ helped on Rocky Mountain Way.  The free form Free Bird got complaints of being too loud once again.

It was a very small and supportive football crowd.   We did play better than the J A Tap gig but for a band that hasn't seen each other in two and half months  we did well.

Thanks PJ and Pam for putting up with the noise.  

Nevertheless, the criticisms continue.  I play too loud, too fast or too loud and fast.  I cannot win for the life of me.  I cannot change the way that I play, either adapt with me or find somebody more suited to the slow and soft safe sounds then.  We both will win out in the long run.  

Thursday 3 December 2020

Artisan Sanctuary 12/3/2020 Spill The Wine

Songs:

Buckingham-Nicks
Knock On Your Door
Nine Pound Hammer
Cheating Songs
She Belongs To Me
Wandering Mind (instrumental)
The Road You're On

With:
Jim Jacobmeyer, D. Young, Phil Korning, D.C.K, Katy Merrifield, Freddy Jones, Jeff Brown.




A sluggish performance.  Started off quite well with lead off track Buckingham Nicks and Knock On Your Door, but fucked up most of Nine Pound Hammer and people talked throughout Cheating Songs and then proceeded  to wander all the place.  Wandering Mind was a barrage of songs of riffs that I couldn't remember how they went so I just went with a instrumental.   And then closed with the seldom heard The Road You're On.  Katy and Phil played extended sets.  I was dealing with tennis elbow and carpel tunnel issues from sealing too many books at work.    Supper was at Ramsey's to which they might have the most hot and spicy chilli around, it was quite filling but perhaps I should have stick with a Taco Salad.  That may have played a role in my subpar playing tonight.   A couple folk were there but it is strange eating at a place at 6 o clock when there should be more people there eating.  Per usual, I always tip the waiter and waitress who wait on me at various places.  




Diana taped a few of the songs and then proceeded to spill her glass of wine on the carpet, therefore giving me a title to the night's events.   Phil Bo and Freddy played the encore.